aespa’s Supernova is smashing the charts in unexpected ways, far surpassing the effect of their album’s actual title track. I’m happy to see this, as I’d love SM Entertainment (and girl groups in general) to fully embrace this upbeat electro sound. Apparently, the Korean listening public is of the same mind! However, I found Supernova‘s … Continue reading
RIIZE are part of a vanguard of fresh fifth-gen acts that are making this year’s K-pop quite exciting. Pre-release Impossible remains a certified mega-banger, while Love 119 just may be 2024’s biggest grower. So far, they’ve managed to keep the quality remarkably high despite traversing various genres. New title track Boom Boom Bass marks the … Continue reading
Surprise drops don’t really exist in K-pop, but Super Junior’s Show Time is as close as we get. Teased only days ago, the digital single arrives without much build-up. It’s their first group comeback since 2022, though the individual members and sub-units have been active more recently. Show Time feels tailor-made for live performances. Its … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
NCT Dream’s new Japanese single Moonlight has been kicking around for a few weeks now. In fact, I first wrote about it as part of my weekly J-pop series. At that point, we were unsure whether it would receive a music video or not, but I’m glad the track has gotten the promotion it deserves. … Continue reading
As a spin-off to my Battle of the B-sides feature, I’m pleased to announce the arrive of “Battle of the Title Tracks!” In this feature, I’ll be pitting three K-pop title tracks/singles against each other and choosing a winner. These songs will mostly be from pre-2016 since I’ll try to focus on music I haven’t … Continue reading
WayV returned last year with a solid album and an interesting title track. Now that summer fast approaches, their newest comeback promises something brighter and groovier. Given that one of my favorite WayV b-sides is 2020’s buoyant Electric Hearts, this is definitely welcome news. And with the NCT universe not as dominant as it used … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2024 Overall Thoughts There were a number of big-name releases in May, yet somehow the … Continue reading
On the heels of fellow EXO members D.O. and Chen, Suho has just released his newest solo album. This was preceded by Cheese, featuring fellow SM artist Wendy. That track, and new single 1 to 3 (점선면), borrow heavily from 70’s rock influences. While Cheese‘s influences felt more interesting that the song itself, 1 to … Continue reading
EXO’s soloists each have their own distinct sound, and Chen has become the group’s reliable balladeer. He has the voice to match, and his music scratches a certain sentimental itch that has made it a fan favorite. However, it takes a whole lot for a ballad to stand out on my playlist. When I love … Continue reading
Three and a half years since their debut, aespa have finally released their first full length album. Armageddon is led by two title tracks, the first of which has already become a major hit. Supernova embraced the K-pop maximalism of years past, making many wonder if Armageddon would follow suit. Instead, this track pulls back … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
The members of EXO are busy this month, as leader Suho follows D.O. with his own solo release. As has become common lately, he’s kicking off promotions with a pre-release track. Cheese keeps things in the SM family, enlisting Red Velvet’s Wendy for guest vocals. This frothy pop-rock track feels as if it would be … Continue reading
It’s been reported that NCT’s Mark is gearing up for a solo album release in early 2025, which has to be the earliest comeback announcement (rumor) in K-pop history. Before that, he’s dropped digital single 200. It follows the experimental bent of previous track Golden Hour and embraces a new sonic palette. No one in … Continue reading
Yesterday’s Supernova was a fantastic return for aespa and hopes are high that their upcoming title track Armageddon will be even better. Between these two behemoths, the group has unveiled a surprise music video for album b-side Long Chat (#♥). You really have to see this video to believe it. If my review focused on … Continue reading
As K-pop’s global popularity has increased, so has the use of samples from pop music history. A decade ago, the idea of sampling a Western pop song felt pretty rare, but there have been a number of recent hits built upon hooks from decades past. aespa’s pre-release Supernova samples Afrika Bambaataa’s 1982 classic Planet Rock, … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Well, what a nice surprise! Not only have RIIZE released three new b-sides from their first mini album, but they’ve recorded behind-the-scenes music videos for two of them. In both sound and execution, One Kiss and 9 Days are definitely not title tracks, but I still think they each deserve a mini-review. Compared to One … Continue reading
Well, what a nice surprise! Not only have RIIZE released three new b-sides from their first mini album, but they’ve recorded behind-the-scenes music videos for two of them. In both sound and execution, One Kiss and 9 Days are definitely not title tracks, but I still think they each deserve a mini-review. First up is … Continue reading
The Bias List // K-Pop Reviews & Discussion 