SM Entertainment is in full swing this week, releasing a new NCT Dream mini album yesterday and a new single from K-pop legend BoA today. New BoA music is always something to celebrate, even if her promotions are usually more subdued these days. The sound of new single Emptiness (정말, 없니?) echoes this approach, harnessing … Continue reading
We’ve long since crossed the threshold of having definable NCT units with their own sound and purpose. Instead, the past five or six years have seen the rise of a standard SM Entertainment style, and when the agency does release a song that embraces a different sound it feels almost revelatory. Unfortunately, the only revelatory … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
Super Junior-D&E haven’t even made their comeback yet, but it’s already embroiled in controversy. Title track GGB will not be performed on music shows after its title was deemed derogatory toward women. Honestly. I had to look up what “GGB” means before I realized that the real issue likely stems from the Korean version of … Continue reading
Red Velvet’s Wendy has already established a successful solo career, but it’s existed mostly through ballads that suit her strong vocal power and expression. For new single Wish You Hell, she’s embraced an edgier sound that feels more in line with her group material. As suggested by its title, Wish You Hell slots firmly within … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2024 Overall Thoughts Due to its positioning in the dead of winter and the cancelling … Continue reading
NCT’s Taeyong has been positioned as the breakout solo star of the group, quickly crafting a quirky hip-hop sound that pulls in elements of many different genres. It’s an uphill battle for me, as I find his hyper-affected performance style a little tricky to get into. New single Tap follows suit, upping the eccentricities at … Continue reading
Seven years after his debut with NCT U, Ten has finally released his first solo album. Talk about delayed gratification! He’s had plenty of solo singles throughout the years, but I can’t believe it took this long for SM Entertainment to give him something more substantial. He follows a lineage of male idol performers gone … Continue reading
As Super Junior-L.S.S.’s releases have gone on, the material has felt more and more like a joke. Now, they’re saying the quiet part out loud with the appropriately titled… Joke. It’s hard for me to see this sub-unit as anything but novelty, and I guess novelty has its place in the pop landscape. Unfortunately, it … Continue reading
New sub-unit Super Junior-L.S.S. has somehow become the most prolific project from the group, releasing multiple Japanese tracks and now the one-two punch of Suit Up and C’mon. Though it had high points, Suit Up squandered much of its potential by failing to find an engaging chorus to compliment its fun funk instrumental. Follow-up C’mon … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. January 2024 Overall Thoughts Well, what a nice surprise this month has been! After many years … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
Super Junior-L.S.S. made their debut last summer with the fun Close The Shutter. They’re the sixth Super Junior sub-unit, consisting of members Leeteuk, Shindong and Siwon. Beyond the unique configuration of members, I’m not sure if L.S.S. have a specific musical goal different from Super Junior itself, but thus far their songs have veered toward … Continue reading
aespa have done a fair amount of covers in their career, and they haven’t exactly chosen obscure material. There’s a danger in covering beloved classics, which is my cue to encourage you all to listen to the original Regret Of The Times and Seo Taiji & Boys’ entire 90’s discography. It’s amazing how many genres … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Before December 2022, Minho was the only SHINee member without a solo album to his name. His music continues to be released in drips and drabs, taking a far more understated approach compared to his bandmates. SHINee tend to offer something for everyone, and if you like softer, coffeehouse fair you’ve found the right guy … Continue reading
Rather than debut with a mini or full album, RIIZE have blitzed the market with digital singles. While it’s nice to promote music more often, I firmly believe that — during the first year of a rookie’s debut — every song needs to be a stone-cold classic. Like… one mega-hit after another to quickly cement … Continue reading
The Bias List // K-Pop Reviews & Discussion 