Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
Now that the expansion of the NCT project has ended and its first member has enlisted in the military, I predict we’ll see more solo work from the guys. This has been a long time coming. There’s a wealth of talent under the sprawling NCT umbrella. Doyoung’s voice has always been one of my favorite … Continue reading
I have this odd trend of under-rated RIIZE’s title tracks when they’re released, only to end up loving them in a few week’s time. This was especially true with January’s Love 119 — a 2024 highlight whose chanted chorus put me off big-time when it first came out. New single Impossible will not have the … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
“Spring songs” don’t seem to be as big a deal in K-pop as they used to be. This time of year, we used to be assaulted with all sorts of gentle, coffeeshop fare perfect for the season. But now that “subdued” has become a K-pop buzzword, I guess many songs fit this bill without needing … Continue reading
What to do with a solo Lucas single in 2024? I’ll let others rant about the moral implications of debuting him as a soloist. I’m very good about separating the artist from the art. As a rabid Michael Jackson fan, that’s become a necessity! As always on this blog, I’d like to focus on Renegade … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. March 2024 Overall Thoughts Okay, this year’s already a little weird. We kicked off with an … Continue reading
As covered in my review of pre-release Rose, Super Junior-D&E’s GGB has been mired in controversy over the implications of its title. As a foreign listener without the cultural context to be offended, it’s easier for me to ignore this and focus on the merits of the song itself, though I don’t understand why the … Continue reading
SM Entertainment is in full swing this week, releasing a new NCT Dream mini album yesterday and a new single from K-pop legend BoA today. New BoA music is always something to celebrate, even if her promotions are usually more subdued these days. The sound of new single Emptiness (정말, 없니?) echoes this approach, harnessing … Continue reading
We’ve long since crossed the threshold of having definable NCT units with their own sound and purpose. Instead, the past five or six years have seen the rise of a standard SM Entertainment style, and when the agency does release a song that embraces a different sound it feels almost revelatory. Unfortunately, the only revelatory … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
Super Junior-D&E haven’t even made their comeback yet, but it’s already embroiled in controversy. Title track GGB will not be performed on music shows after its title was deemed derogatory toward women. Honestly. I had to look up what “GGB” means before I realized that the real issue likely stems from the Korean version of … Continue reading
Red Velvet’s Wendy has already established a successful solo career, but it’s existed mostly through ballads that suit her strong vocal power and expression. For new single Wish You Hell, she’s embraced an edgier sound that feels more in line with her group material. As suggested by its title, Wish You Hell slots firmly within … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2024 Overall Thoughts Due to its positioning in the dead of winter and the cancelling … Continue reading
NCT’s Taeyong has been positioned as the breakout solo star of the group, quickly crafting a quirky hip-hop sound that pulls in elements of many different genres. It’s an uphill battle for me, as I find his hyper-affected performance style a little tricky to get into. New single Tap follows suit, upping the eccentricities at … Continue reading
Seven years after his debut with NCT U, Ten has finally released his first solo album. Talk about delayed gratification! He’s had plenty of solo singles throughout the years, but I can’t believe it took this long for SM Entertainment to give him something more substantial. He follows a lineage of male idol performers gone … Continue reading
As Super Junior-L.S.S.’s releases have gone on, the material has felt more and more like a joke. Now, they’re saying the quiet part out loud with the appropriately titled… Joke. It’s hard for me to see this sub-unit as anything but novelty, and I guess novelty has its place in the pop landscape. Unfortunately, it … Continue reading
New sub-unit Super Junior-L.S.S. has somehow become the most prolific project from the group, releasing multiple Japanese tracks and now the one-two punch of Suit Up and C’mon. Though it had high points, Suit Up squandered much of its potential by failing to find an engaging chorus to compliment its fun funk instrumental. Follow-up C’mon … Continue reading
The Bias List // K-Pop Reviews & Discussion 