A couple of weeks after pre-releasing the upbeat r&b funk of What You Need, EXO member Lay is back with his debut solo EP. To herald its release, Lose Control slows things down and sexes things up, giving his sound yet another layer. From the very beginning, Lose Control screams late 90’s/early 00’s radio r&b. Almost … Continue reading
K-Pop is an agency-driven genre, meaning that what gets put into the market is often expertly crafted by a team of individuals and hoisted upon a group/artist who then takes it to the next level with their talent and charisma. This doesn’t necessarily take art out of the equation, but it does create an environment … Continue reading
When SM Station first started, it felt primarily like a delivery method for ballads. But as the months have gone on, it’s become much more focused on EDM tracks, inviting some of the agency’s biggest artists to collaborate with DJs and dance producers. This time around, in-house collective BeatBurger is paired with k-pop royalty BoA. … Continue reading
I was beginning to think that SM’s Henry was never going to release solo music again. It’s been over two years since his last mini album, and his presence has been missed. While I hope that we get something more substantial from him soon, this duet with Sistar’s Soyou is a welcome surprise in the … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. I’m sad to admit that much of Shinee’s latest album … Continue reading
Though several former EXO members have struck out on solo careers in China, Lay’s What You Need is the first major push from a current member of the group. Though he’s been less visible in more recent EXO tracks, SM Entertainment seems content to give Lay some freedom when it comes to his home country. What … Continue reading
Shinee had an outstanding 2015, releasing two of their very best title tracks in the space of a few months. Because of this, anything they followed up with in 2016 would arrive amidst sky high expectations. So instead of going big, they go specific… with the early 90’s new jack swing throwback of 1 Of 1. Immediately, this move doesn’t … Continue reading
With Heartbeat, SM Entertainment has completed their f(x)-driven EDM trilogy that started with Wave in May and continued with July’s All Mine. Given the strict adherence to genre structure, all three tracks feel somewhat interchangeable, but this helps create a welcome sense of continuity when they’re taken together, one right after another. Heartbeat was released as … Continue reading
October is officially here, which means the countdown to Halloween has started. Whether you’re cobbling together a mix for a Halloween party or carnival, or just looking for some seasonal selections to soundtrack your pumpkin carving, K-Pop has a lot to offer. Here are some of the best tracks. If your favorite Halloween K-Pop song … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. Unlike my end-of-year countdowns, jpop and Japanese releases by kpop artists are ineligible, though I will give the great ones a spotlight. For my top three tracks, I’ll take my own ratings into account, but there is a … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. HITCHHIKER Years … Continue reading
For SM Entertainment’s latest Station release, the agency give us a duet between artists from two of their most successful groups. First, we have Bada, who was part of their mega-successful, late 90’s girl group S.E.S. Joining her is Super Junior’s Ryeowook, who had a strong solo earlier in the year and is a self-professed S.E.S. … Continue reading
SM Station has been a great excuse for releasing fun side tracks that would never make sense as part of a group’s album. Dancing King arrives after a longstanding promise made on mega-hit variety series Infinite Challenge. Host Yoo Jae-suk (who’s basically the most famous celebrity in Korea) has now fulfilled his mission to collaborate with … Continue reading
It’s finally time to take a long overdue look at the singles from one of k-pop’s legendary performers. Honestly, BoA has released so much music in both Korea and Japan that this list has been revised several times over. I think everyone’s choices will probably be unique to them, but for me, I’ve found that her … Continue reading
SM girl group Red Velvet have been bouncing between their dual concepts, giving us delirious pop hits (red) and low-key slow burns (velvet) for the past couple of years. With Russian Roulette (러시안 룰렛), it seems that they’ve found some middle ground, tempering what is essentially a high energy synthpop track with a more subdued … Continue reading
As a companion to my Top Ten Singles lists, it’s time to look at some of the best album tracks and b-sides from the best artists. EXO have a flawless singles run, but the quality doesn’t stop there. Here’s the best of what their albums have to offer. Honorable Mentions: Exodus Thunder Love, Love, Love … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. Unlike my end-of-year countdowns, jpop and Japanese releases by kpop artists are ineligible, though I will give the great ones a spotlight. For my top three tracks, I’ll take my own ratings into account, but there is a … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. LDN NOISE … Continue reading
How can a song featuring so many esteemed and exciting artists end up being so dull? In theory, Born To Be Wild should be a momentous hodgepodge of cross-agency collaboration, but it’s ultimately just as messy as its parentheses-filled title. I applaud SM for reaching out to artists and producers from competing agencies. I have … Continue reading
The longer SM Entertainment’s NCT project is in existence, the more excited I get about its potential. Some of that is due to the agency’s smart showcasing of members’ personalities through variety series, but most of it is a direct result of the project’s ambition and scope. More than anything, NCT is a vessel to channel … Continue reading
The Bias List // K-Pop Reviews & Discussion 