At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. Unlike my end-of-year countdowns, jpop and Japanese releases by kpop artists are ineligible, though I will give the great ones a spotlight. For my top three tracks, I’ll take my own ratings into account, but there is a … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. HITCHHIKER Years … Continue reading
For SM Entertainment’s latest Station release, the agency give us a duet between artists from two of their most successful groups. First, we have Bada, who was part of their mega-successful, late 90’s girl group S.E.S. Joining her is Super Junior’s Ryeowook, who had a strong solo earlier in the year and is a self-professed S.E.S. … Continue reading
SM Station has been a great excuse for releasing fun side tracks that would never make sense as part of a group’s album. Dancing King arrives after a longstanding promise made on mega-hit variety series Infinite Challenge. Host Yoo Jae-suk (who’s basically the most famous celebrity in Korea) has now fulfilled his mission to collaborate with … Continue reading
It’s finally time to take a long overdue look at the singles from one of k-pop’s legendary performers. Honestly, BoA has released so much music in both Korea and Japan that this list has been revised several times over. I think everyone’s choices will probably be unique to them, but for me, I’ve found that her … Continue reading
SM girl group Red Velvet have been bouncing between their dual concepts, giving us delirious pop hits (red) and low-key slow burns (velvet) for the past couple of years. With Russian Roulette (러시안 룰렛), it seems that they’ve found some middle ground, tempering what is essentially a high energy synthpop track with a more subdued … Continue reading
As a companion to my Top Ten Singles lists, it’s time to look at some of the best album tracks and b-sides from the best artists. EXO have a flawless singles run, but the quality doesn’t stop there. Here’s the best of what their albums have to offer. Honorable Mentions: Exodus Thunder Love, Love, Love … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. Unlike my end-of-year countdowns, jpop and Japanese releases by kpop artists are ineligible, though I will give the great ones a spotlight. For my top three tracks, I’ll take my own ratings into account, but there is a … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. LDN NOISE … Continue reading
How can a song featuring so many esteemed and exciting artists end up being so dull? In theory, Born To Be Wild should be a momentous hodgepodge of cross-agency collaboration, but it’s ultimately just as messy as its parentheses-filled title. I applaud SM for reaching out to artists and producers from competing agencies. I have … Continue reading
The longer SM Entertainment’s NCT project is in existence, the more excited I get about its potential. Some of that is due to the agency’s smart showcasing of members’ personalities through variety series, but most of it is a direct result of the project’s ambition and scope. More than anything, NCT is a vessel to channel … Continue reading
It’s interesting how SM’s Station platform has started to include songs that are closer to CFs (ie: advertisements). First, we had NCT 127’s Coca Cola/Olympics anthem, and now Yuri and Seohyun from Girls’ Generation are pairing with Pantene for the hair-tastic music video that compliments Secret. Thankfully, the song hides its corporate inspiration well, at … Continue reading
It’s hard to remember the last time a major k-pop release was hit with near across-the-board disappointment moments after its release. I suppose there was a similar feeling last summer when it came to the chorus of Bigbang’s Bang Bang Bang, but that turned out to be one of the biggest hits of the year. … Continue reading
Mention the name Shinhwa and most people will immediately think: “k-pop’s longest running boy band.” It’s quite a title, and also quite an accomplishment for any group. Shinhwa debuted in 1998 and have remained strong since, reinventing their sound several times over amidst label changes and military conscription hiatuses. They now stand as a beacon … Continue reading
For too long, J-Min has seemed like an afterthought within SM Entertainment’s larger roster. I suspect much of this is due to the fact that she works within a rock-oriented, singer-songwriter territory that the agency really doesn’t specialize in. It could also be because her career really kicked off in Japan before she started releasing … Continue reading
I hesitate to review commemorative anniversary songs because, more often than not, their sole purpose isn’t to be a terrific song, but a marker of a group’s career milestone. And I certainly congratulate Girls’ Generation on their incredible nine years together. Even at this stage in their career, they remain one of k-pop’s most defining … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. Unlike my end-of-year countdowns, jpop and Japanese releases by kpop artists are ineligible, though I will give the great ones a spotlight. For my top three tracks, I’ll take my own ratings into account, but there is a … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. THOMAS TROELSEN … Continue reading
With NCT 127’s Taste the Feeling, SM Station has given us a song with a purpose, though it might be kind of a silly one. The track is a cover of a song used to promote Coca Cola, and that’s exactly what it’ll do in Korea as well. It’s also tied to the upcoming Olympics, … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-sides and album tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Though it can’t really be considered a true … Continue reading
The Bias List // K-Pop Reviews & Discussion 