Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! January … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! August … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! November … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! September … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! February … Continue reading
2013 was a high-concept, musically diverse year in K-pop. Hip-hop hadn’t yet taken over, and melody was still king. Instrumentals aimed for the rafters of stadiums, bringing in explosive guitar, sledgehammer beats and bombastic electro riffs. Songs played around with structure in artful, unexpected ways, often polarizing opinion before unveiling themselves as future classics. Here … Continue reading
It’s time to flash back seven years to 2012, an era of huge choruses, thumping dance beats and an endless supply of sci-fi influenced music videos. 2012’s charms were endless, but here are fifty of the absolute best singles. To be eligible for this top fifty list, songs must have had a Korean release as … Continue reading
This is one of those features I’ve been wanting to tackle for years now. In many ways, the singles of 2012 set the standard I measure all future and past K-pop against. Song for song, it was the pinnacle of so much that I love about Korean music. It was a year of gargantuan choruses, … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. SWEETUNE Years … Continue reading
With the release of last month’s Secret Time, Spica has just enough singles for a Top Ten Countdown. The group came hard during their debut year, releasing no less than five comebacks in 2012. Their sound has evolved throughout their career, but always with a focus on strong vocals and a catchy hook. An unfortunate … Continue reading
Girl group Spica has been absent from the k-pop scene for two years, causing them to have a lot of rebuilding and rebranding to do. The world of k-pop moves quickly, and unless you’re an a-list super group, it’s not particularly easy to come back after such a long time away. Making things even more … Continue reading
The Bias List // K-Pop Reviews & Discussion 