In this feature, I zoom into some of K-pop’s most legendary weeks — short periods of time that delivered multiple classics. K-pop is usually a Monday through Friday affair (at least in my time zone), with some weeks stuffed to the brim with releases. But, not all include multiple 9+ rated songs. Here, I’ll through … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! May … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! January … Continue reading
I’ll tell you one thing: I never thought I’d be writing a Sunny Hill review in 2019. After the girls left their agency two years ago, I assumed they’d all-but broken up. Two of their members did leave during this long hiatus, replaced by a new pair of performers (one of which from short-lived group … Continue reading
The story of Sunny Hill is that of a group slowly and incrementally losing their color. It’s hard to believe that the girls giving us On The Way Home (집으로 가는 길) are the same ones who delivered such creative dance tracks as Midnight Circus and The Grasshopper Song. It’s even harder to imagine that the group actually … Continue reading
The Bias List // K-Pop Reviews & Discussion 