Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
When Taemin released his single Veil last week, I was surprised it wasn’t paired with a music or performance video. After all, he’s one of K-pop’s premiere visual artists, with choreography and sheer star presence often elevating the songs themselves. It turns out we just needed to wait a few days before that video materialized. … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
Because of MBC’s unprecedented decision to air their Gayo Daejejeon over two nights this year, my recap and ranking will also be divided into two parts. Make sure to check out part one for my general thoughts on the festival as well as a personal ranking of the best performances of night one. Now, it’s … Continue reading
A few years ago, many of K-pop’s best tracks were buried as b-sides. This year was different, with most of my favorite music promoted as title tracks. I certainly prefer this approach. After all, great songs should be paired with great visuals/choreo whenever possible. However, it made for a slightly less prolific slate of “buried … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2024 Overall Thoughts While the first half of 2024 was quite strong, these past few … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
It goes without saying that I adore Taemin and his music, but my biggest frustration with his solo output is how often it tends to favor murky atmosphere and sluggish arrangements. He clearly enjoys this subdued tempo, and it allows for great spotlight on his choreography in a fluid, artistic way. But being a huge … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2024 Overall Thoughts Over the past few years, the month of August has trended toward … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. With a (performance?) video still possible … Continue reading
Fresh off a commanding stint as headliner at this year’s KCON, SHINee’s Taemin is back with his first release under BPM Entertainment. Moving agencies — especially from one as distinct as SM Entertainment — has the potential to alter the sound of an artist. Taemin has always held an idiosyncratic vision and thankfully BPM seems … Continue reading
Many readers have been asking for it, and I’m finally ready to unveil this year’s Bias List Legendary Songs Inauguration Ceremony! A total of forty-nine songs have already been inaugurated as part of this feature, including a few J-pop highlights. As a rule, this ceremony only covers material released since The Bias List‘s inception (Jan … Continue reading
This year’s KCON was bigger and better than ever, stretched out over three days and dozens of stages. It’s my eighth year attending so I feel like a veteran at this point, but each year’s a bit different. 2023 was a stressful experience in several ways so I wasn’t sure what to expect in 2024. … Continue reading
As a spin-off to my Battle of the B-sides feature, I’m pleased to announce the arrive of “Battle of the Title Tracks!” In this feature, I’ll be pitting three K-pop title tracks/singles against each other and choosing a winner. These songs will mostly be from pre-2016 since I’ll try to focus on music I haven’t … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
Seeing Taemin at this year’s KCON reconfirmed his utter dominance as a performer. I’ve been lucky enough to watch him with SHINee a couple of times, but few artists can command a stage so completely on their own. He deserves all the hype he gets. With that said, I feel his music is beginning to … Continue reading
This year’s KCON will live in infamy for a number of reasons: outrunning the remnants of a rare hurricane on my way home, testing positive for covid a day after, etc etc. However, this craziness doesn’t mean I don’t have highlights and commentary to share! For the first time, KCON LA’s concerts extended to three … Continue reading
In this feature, I zoom into some of K-pop’s most legendary weeks — short periods of time that delivered multiple classics. K-pop is usually a Monday through Friday affair (at least in my time zone), with some weeks stuffed to the brim with releases. But, not all include multiple 9+ rated songs. Here, I’ll through … Continue reading
The Bias List // K-Pop Reviews & Discussion 