I considered relegating &TEAM’s Samidare to my J-pop round-up on Sunday, but the group is notable enough to K-pop fans to warrant at least a mini-review. After all, they’re the guys who gave us last year’s double whammy of Firework and Dropkick — both of which were 2023 highlights. As far as HYBE boy groups … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Today is J-pop day on The Bias List! I’m dropping fifty of my favorite songs from 2023 in one day. You may want to check out the honorable mentions first, but if you’re looking to dive into the proper countdown at once, you’ve found the right spot! Here are songs 50 to 31, presented with … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
I don’t often write “buried treasure” posts for Japanese b-sides, but I almost made an exception for &TEAM’s Dropkick. As fate would have it, HYBE decided to release the song with its own music video and send the guys to promote it on music shows. That’s one hundred percent the correct choice, since Dropkick laps … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Before the end-of-year countdowns next month, I like to take a look at many of K-pop’s biggest agencies and see how their year went. Obviously, 2023 is not over yet so any upcoming changes to an agency’s grade will be reflected next year. Following SM Entertainment, YG Entertainment and JYP Entertainment‘s analysis, it’s time for … Continue reading
Despite my initial hesitance, &TEAM’s Firework perfected the synth-inflected side of HYBE’s oeuvre. Somehow, that song leveraged the agency’s faceless vocal processing as an asset, tying it to strong hooks and a compelling atmosphere. This success raised the stakes for &TEAM’s first full album, but new single War Cry takes a different approach. Unlike with … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
It feels like &TEAM have promoted recent single Firework more frequently on Korean broadcasts than in their native Japan, making the whole ‘Korean-agency-debuts-Jpop-act’ approach even more nebulous. Thus far, &TEAM’s output has basically been K-pop performed in Japanese — a trend many agencies are attempting to replicate. My thoughts on this aside, Firework is a … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
It seems I’m writing about a HYBE act or a HYBE-adjacent act every other day on this blog. The monolithic company has taken over K-pop and has its sights set on J-pop as well. The resulting music is of mixed quality, but HYBE’s ever-expanding roster of artists have all found success so far. Love them … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. December 2022 Overall Thoughts December is historically a very slow month in K-pop, but every once … Continue reading
Before I count down my top 50 J-pop songs of the year, I thought I’d blast you with a bunch of honorable mentions. J-pop can be notoriously difficult to find if you’re not already an active fan, and I figured readers who share my particular taste in music might appreciate having some extra recommendations. These … Continue reading
HYBE’s first Japanese boy group releases their debut album this week. I wasn’t very impressed with &TEAM’s Under The Skin, though in hindsight I was probably a little hard on it. To me, the song felt too much like reheated leftovers from the agency’s other acts. But, the groovier teasers for Scent Of You seemed … Continue reading
K-pop tropes continue their unrelenting push into the Japanese market with the debut of &TEAM. They’re the latest in this new iteration of the Hallyu Wave, where K-pop agencies localize their sounds with members from the target country. This way, you get the infrastructure and popularity of a label like HYBE, but the group can … Continue reading
The Bias List // K-Pop Reviews & Discussion 