One of my hopes for 2023 is a Korean comeback from TVXQ that honors the legacy of their best work. We’ll see if SM Entertainment has that in them, but until then we have a new Japanese single from the legendary duo. Parallel Parallel arrives five months after last year’s Utsuroi and ups the tempo … Continue reading
It just occurred to me that it’s been nearly four (!) years since TVXQ had a proper Korean comeback. Yes, they’ve been active as soloists and have released multiple albums in Japan during this time, but that’s still a long gap for a veteran act with an enormous, enduring fanbase. For now, those of us … Continue reading
Following the release of Japanese solo albums, the members of TVXQ (or Tohoshinki, as they’re known in Japan) have joined forces for new EP Epitaph. The guys haven’t released a full or mini album since 2019, making this feel like a momentous occasion. Here’s hoping their recent Japanese blitz is a harbinger for upcoming work … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. TVXQ’s Yunho just released his new … Continue reading
After Changmin’s Japanese solo album last year, TVXQ’s Yunho is up next. The two previously released solo albums in Japan prior to their 2015 enlistment, and Yunho’s is well worth tracking down if you can. I’m forever salty that Bang wasn’t promoted as a single, and hope that the new album will contain something similar. … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Changmin led the campaign for new … Continue reading
TVXQ have been relatively quiet this year, both in Korea and Japan. That’s about to change, as each member is set to release solo Japanese work. Both Changmin and Yunho already have a J-pop mini album under their name – music that can be hard to find but well-worth searching out (Rock With U and … Continue reading
K-Pop debuts can be tricky things. At times, they’re the best song a group delivers. Sometimes, they’re the only song a group delivers! But, debuts can also be huge wtf moments in an artist’s career. In this feature, I’ll be looking back at debut songs through the prism of time, re-evaluating how well they hold … Continue reading
Longtime readers of The Bias List will know how stingy I am when it comes to rating songs nine and above. But, there’s plenty of music that qualifies. In fact, I’ve got a playlist of over 600 of them sitting in my iTunes. The vast majority of these are singles or title tracks, but there … Continue reading
With over 2,900 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
Though TVXQ are one of my all-time favorite K-pop acts, most of their post-enlistment music hasn’t hit me in the same way as their classic material. However, new Japanese album XV is a strong collection of work, touching on many of the aspects that have made them such a musical force. The guys seem to … Continue reading
A legacy can be both a blessing and a curse. TVXQ’s storied past includes some of my favorite K-pop ever, and the guys continue to be incredibly active since their return from the military in 2017. Yet, each time they release a new song, I expect it to hit me the way that their past … Continue reading
TVXQ have been busy in both Korea and Japan since both members were discharged from the military in mid-2017. But so far, nothing they’ve released has quite matched their pre-enlistment material in my opinion. Yunho’s recent solo album brought back some of those old-school TVXQ vibes to great success, and will hopefully act as a … Continue reading
My anticipation for TVXQ’s long-awaited comeback was through the roof last year, but things didn’t go exactly as I’d hoped. Yes, the duo delivered two very solid albums, but each lacked the classic SM Performance sound that I’ve long associated with their music. Luckily, Yunho is making up for that with his (even longer-awaited) solo … Continue reading
They say you’re hardest on the things you love the most, and I feel like I’ve been especially hard on TVXQ this year. At the outset of 2018, I would’ve predicted them having a huge presence on my end-of-year lists, but unfortunately they ended up being a no-show. This is mostly due to the direction … Continue reading
With over 2,300 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets the … Continue reading
Nearly every 2018 TVXQ release has felt underwhelming in some regard, and I only have myself to blame. They are my second-most-listened-to K-pop artist after Infinite, and as the years have gone on I’ve positioned them as untouchable legends within the industry. An over two-year hiatus only cemented this status, as I watched K-pop move … Continue reading
With over 2,300 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets the … Continue reading
It’s so great to have TVXQ back, steadily releasing new music in both Korea and Japan. Yet as much as I’ve enjoyed their new material, I’m still waiting for a comeback with that old “SM Performance” style that they execute better than anyone. Over the course of its history, the duo’s Japanese discography has been … Continue reading
Though lacking the kind of power I was craving from a TVXQ comeback, the duo’s new album is filled with reliably top-shelf material. SM Entertainment seems to think so too, giving the guys a second music video in the form of opening track Love Line (평행선). If the electro-swing of The Chance Of Love wasn’t … Continue reading
The Bias List // K-Pop Reviews & Discussion 