Following a tradition first established in 2020, I’m celebrating the holidays today with the opening of gifts. These packages come in the form of seasonal K-pop tracks not yet reviewed on the blog. As much as possible, I’m only focusing on original songs. There are TONS of song covers and “Christmas versions” of existing tracks … Continue reading
I’m back with a recap of K-Pop’s year-end festivals. As always, we’ve got events from KBS, SBS and MBC in that order. However, I wasn’t aware that KBS was saving their “Music Bank in Japan” special until December 30th so I’ll probably write about that one too. Honestly, I thought they’d just mash it together … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2025 Overall Thoughts Though there’s still another month left of 2025, I always consider November … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
In keeping with their enormous group configuration, tripleS have blitzed us with an equally enormous fleet of comebacks today. “msnz” is a “universe” within tripleS (their words, not mine) with four “dimensions,” each of which has released their own song and music video. I rarely have enough stamina to write about four tracks from even … Continue reading
In keeping with their enormous group configuration, tripleS have blitzed us with an equally enormous fleet of comebacks today. “msnz” is a “universe” within tripleS (their words, not mine) with four “dimensions,” each of which has released their own song and music video. I rarely have enough stamina to write about four tracks from even … Continue reading
In keeping with their enormous group configuration, tripleS have blitzed us with an equally enormous fleet of comebacks today. “msnz” is a “universe” within tripleS (their words, not mine) with four “dimensions,” each of which has released their own song and music video. I rarely have enough stamina to write about four tracks from even … Continue reading
In keeping with their enormous group configuration, tripleS have blitzed us with an equally enormous fleet of comebacks today. “msnz” is a “universe” within tripleS (their words, not mine) with four “dimensions,” each of which has released their own song and music video. I rarely have enough stamina to write about four tracks from even … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Japanese tripleS sub-unit “∞!” debuted last year with the moody, hypnotic Untitled. It was one of the better tripleS title tracks, though I can’t say it stayed on my playlist for long. Now, they’re back with a jauntier pop song in new single Password. There’s a joke going around about tripleS’s strong reliance on “la … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of K-pop’s most innovative and accomplished producers and composers. EL CAPITXN … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
After the release of many sub-unit projects, tripleS are back with their newest full group album. Coincidentally, the name of their title track is the same question I’ve been wanting to ask the K-pop industry for most of this year. Are you alive? This song does exactly what we’ve been conditioned to expect from tripleS. … Continue reading
(Note: If you’re unable to view this post on a phone, please try on another device. I believe the number of video embeds is causing trouble on certain browsers.) Yep, I’m back to writing about K-pop’s year-end festivals. They were some of the earliest events I covered on this blog but over the past few … Continue reading
A week after the MAMA Awards, it’s Melon’s turn to throw its annual celebration. Since the ceremony is centered around a digital streaming service, the criteria is more statistics-based than other shows. However, I’m always surprised how many random award categories these events can come up with to make sure everyone goes home with something. … Continue reading
I’m losing track of how many tripleS sub-units we have now, but I guess the sprawling nature of the project is kind of the point. Less than a month after the debut of Visionary Vision, we have a Japanese single by the newly-unveiled “∞!”. This unit takes a moodier approach, utilizing now-ubiquitous musical elements from … Continue reading
tripleS “Visionary Vision” has to be one of the more ridiculous sub-unit names to emerge lately, fully embracing an adjective-noun repetition like an extraordinary extraordinaire. But hey, this is K-pop! Fun with language is just an added bonus. Group name aside, Visionary Vision marks the debut of tripleS’s first dance-based sub-unit. Hit The Floor delivers … Continue reading
The ambitious tripleS project is growing and multiplying faster than NCT ever did, with new units seeming to emerge every month. tripleS Glow is composed of members Chaewon, Sullin, SeoAh and JiYeon and they debuted with Inner Dance (내적 댄스) last week. Now, they’ve released a performance video to add a visual aspect to the … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2024 Overall Thoughts There were a number of big-name releases in May, yet somehow the … Continue reading
The Bias List // K-Pop Reviews & Discussion 