There are few things I enjoy more than a great summertime song. They’re bright, they’re exciting, and they remind me of my favorite time of the year. There’s no telling what this summer in K-pop will bring, but over the next few weeks I’ll be flashing back each day, showcasing a highlight from past summers. … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! August … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! May … Continue reading
Longtime readers of The Bias List will know how stingy I am when it comes to rating songs nine and above. But, there’s plenty of music that qualifies. In fact, I’ve got a playlist of over 600 of them sitting in my iTunes. The vast majority of these are singles or title tracks, but there … Continue reading
2013 was a high-concept, musically diverse year in K-pop. Hip-hop hadn’t yet taken over, and melody was still king. Instrumentals aimed for the rafters of stadiums, bringing in explosive guitar, sledgehammer beats and bombastic electro riffs. Songs played around with structure in artful, unexpected ways, often polarizing opinion before unveiling themselves as future classics. Here … Continue reading
2013 was a high-concept, musically diverse year in K-pop. Hip-hop hadn’t yet taken over, and melody was still king. Instrumentals aimed for the rafters of stadiums, bringing in explosive guitar, sledgehammer beats and bombastic electro riffs. Songs played around with structure in artful, unexpected ways, often polarizing opinion before unveiling themselves as future classics. Here … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Oh, this is bad. Just… very bad. Not even so bad that it’s good. Still Nirvana imagines a world where computers have finally replaced human musicians, churning out cheap, mind-numbing trap beats with no sense of adventure and no heart. The word “skrrt” is this world’s common language, and can have several distinct meanings dependent … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Pepsi certainly has some sway over the K-pop market, don’t they? Last month, they gave Ong Seungwoo a solo (semi) debut with the Energetic rip-off Heart Sign, and now they’ve gathered two popular idols from different agencies for a performance-focused duet. Cool Love brings together Hongbin from VIXX and Hyungwon from Monsta X. Neither idols … Continue reading
VIXX’s Leo made his solo debut last summer with the Taemin-esque Touch & Sketch. Now, he finds himself in the same place as many of his third-generation K-pop peers: counting down the months until mandatory military conscription. VIXX has already seen its leader, N, enlist earlier this year. Leo is only four months younger, so … Continue reading
Ravi’s Tuxedo is a frustrating song. It has a ridiculous amount of potential, and in many ways feels like the strongest solo work that he has released yet. But, the entire track is undone by its constant use of unnecessary vocal effects. Full disclosure here: I’ve never been a huge fan of Ravi’s rap style. … Continue reading
In the battle of the end-of-year music shows, KBS’s Gayo Daechukje has always felt like the forgotten middle child. SBS boasts the bigger stage and MBC is bolstered by a longer list of performers and the added excitement of New Year’s. In contrast, KBS’s special often feels more like a typical weekly music show. Last … Continue reading
With new Korean enlistment laws going into effect, VIXX are approaching that precarious moment when some of its members will have to take an extended leave from the group. Whether the guys enlist one at a time or all together, Reincarnation will likely be their final 6-member Japanese comeback for awhile. It’s no surprise that … Continue reading
It’s hard to believe that VIXX have been a part of the K-pop landscape for six years already. That’s senior artist territory, and they continue to lead the pack with their dynamic concepts and ever-shifting genre experimentation. With this elder statesman status comes inevitable solo work. The group’s rapper, Ravi, has already released a few … Continue reading
Watching (and obsessing over) Avengers: Infinity War last week has got me thinking. If I wielded the Infinity Gauntlet and had the power to shape the universe, how would I control K-Pop? Infinite comebacks every month! New Sweetune songs every week! Just kidding. I’m not going to be that biased. Instead, I thought it would … Continue reading
During the years of 2013 and 2014, VIXX delivered a string of hits that, taken together, represent one of modern k-pop’s strongest imperial phases. This isn’t to say that their post-2014 material is bad (Dynamite and Chained Up would certainly argue to the contrary), but over the past two years their sound has taken a … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. Joombas Music … Continue reading
