Though VIXX haven’t disbanded, the group’s status seems in limbo. Hongbin left the group last year, Ravi and N left the agency (but not the group), Ken is serving in the military and Jellyfish Entertainment seem more focused on getting VERIVERY off the ground. Leo returned from his enlistment two months ago, and seems eager … Continue reading
K-pop history is stuffed with great albums, and there’s only so many Buried Treasures and Battle of the B-sides features available to cover all these noteworthy tracks. The album format has always been special to me. Whether it’s a full-length or mini, albums have the opportunity to tell stories and develop an act’s personal style. … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
Tomorrow kicks off my Top 50 2015 countdown with songs 50 to 41! Before that, I’ve got ten honorable mentions that barely missed out on making the main countdown. There are some fantastic tracks within this bunch. 2015 was a very strong year for K-pop, making this countdown pretty cutthroat. To give you some context, … Continue reading
With over 3,000 songs on my iPhone’s “K-Pop Singles” playlist, I thought it would be fun to add a bit of unpredictability to my song review posts. So as a result, we have the “Random Shuffle Review” feature. The rules are simple. I fire up my playlist, press “shuffle,” and whatever song plays first gets … Continue reading
I think it’s obvious that I love a good statistic. In addition to my core rating system, I’ve got my top three songs of each month, my yearly countdowns and more data breakdowns than anyone could ask for. None of these are perfect ways to categorize or quantify something as subjective as music, but they … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! November … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! July … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! May … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! January … Continue reading
I feel like every summer we get a few of these “rapper featuring vocalist” music videos that involve posing on fancy boats and cavorting among palm trees. I like to imagine all of these videos being filmed simultaneously, with hundreds of yacht-and-rapper combos sailing the same small body of water without bumping into each other. … Continue reading
In celebration of The Bias List’s fifth year anniversary, I’ve embarked on my most ambitious project yet. After years of hemming and hawing, I’ve finally ranked what I consider to be the best 100 songs in K-pop. There will never be a definitive list of this nature, because it’s impossible to rank something that’s inherently … Continue reading
In celebration of The Bias List’s fifth year anniversary, I’ve embarked on my most ambitious project yet. After years of hemming and hawing, I’ve finally ranked what I consider to be the best 100 songs in K-pop. There will never be a definitive list of this nature, because it’s impossible to rank something that’s inherently … Continue reading
There are few things I enjoy more than a great summertime song. They’re bright, they’re exciting, and they remind me of my favorite time of the year. There’s no telling what this summer in K-pop will bring, but over the next few weeks I’ll be flashing back each day, showcasing a highlight from past summers. … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! August … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! May … Continue reading
Longtime readers of The Bias List will know how stingy I am when it comes to rating songs nine and above. But, there’s plenty of music that qualifies. In fact, I’ve got a playlist of over 600 of them sitting in my iTunes. The vast majority of these are singles or title tracks, but there … Continue reading
2013 was a high-concept, musically diverse year in K-pop. Hip-hop hadn’t yet taken over, and melody was still king. Instrumentals aimed for the rafters of stadiums, bringing in explosive guitar, sledgehammer beats and bombastic electro riffs. Songs played around with structure in artful, unexpected ways, often polarizing opinion before unveiling themselves as future classics. Here … Continue reading
2013 was a high-concept, musically diverse year in K-pop. Hip-hop hadn’t yet taken over, and melody was still king. Instrumentals aimed for the rafters of stadiums, bringing in explosive guitar, sledgehammer beats and bombastic electro riffs. Songs played around with structure in artful, unexpected ways, often polarizing opinion before unveiling themselves as future classics. Here … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
The Bias List // K-Pop Reviews & Discussion 