There are a number of acts who have debuted in the past few decades and have dozens of song ratings on this blog. I thought it would be fun to lay these ratings out in chronological order, line-graph style, and take a macro view of their careers so far. Then, similar to my “Underrated K-pop” … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. But each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And even more than that, I’ll attempt to rank them from my least-to-most-liked. I invite you to share … Continue reading
After a few years of releasing very solid material, Wonho turned his attention to global markets and his music began to suffer. With his new album Core, he seems to have returned to the sounds most central to him. For title track Don’t Wake Me Up!, that means a re-embrace of big dance beats. Of … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. October 2025 Overall Thoughts October started slow as Chuseok celebrations caused a week or so of … Continue reading
More and more with K-pop, we’re seeing a rift form between acts who primarily target Asian markets and those making a bigger push toward Western audiences. Ideally, artists would simply release great music that appeals to everyone, but it’s not uncommon for a performer to release English-language material and tour it extensively in the States. … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Since returning from the military, Wonho’s music seems targeted toward an international market with English-language lyrics and an overall trendy sound. For about two years from 2020 to 2022 he stood as one of the industry’s most reliable artists, releasing a string of bangers. I wish he’d return to that pattern. There’s something deflating about … Continue reading
Hey, it’s been two years without a new Wonho single! He’s been serving his mandatory enlistment and now seems ready to start a new era. For awhile there, he was dropping banger after banger, but pop has moved into different territory since then. The English-language What Would You Do fits into the more downbeat, subdued … Continue reading
Before I take a brief look at many of K-pop’s smaller agencies, there are a few that I have more to say about. Consider these “bonus” write-ups — shorter than the “big four” but longer than a paragraph or two could cover. As usual, the thoughts below are my own and aren’t privy to any … Continue reading
Upon the announcement of its official closure, I joked about owing K-pop’s Universe app a proper obituary. But the more I thought about it, the more I realized that I really do need to document the demise of this longstanding frenemy. During its brief existence, Universe promised creepy AI-generated idol interactions (or so I’m told). … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
Before I take a brief look at many of K-pop’s smaller agencies, there are a few that I have more to say about. Consider these “bonus” write-ups — shorter than the “big four” but longer than a paragraph or two could cover. As usual, the thoughts are my own and aren’t privy to any insider … Continue reading
Back in August, Wonho warned us not to hesitate. Now, we’re being told not to regret. Honestly, I’m into these self-help guidelines as long as the music is good. And so far, Wonho’s singles run has been super consistent. Highlights like Open Mind, Lose and Crazy cast him as a reliable purveyor of polished dance … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2022 Overall Thoughts Too often this year, my monthly round-ups have been… kind of a … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
These Universe releases just keep on coming! Once upon a time, I thought this might be some limited series and I’d be able to fudge my way through a handful of fun carnival game-esque “reviews” and call it a day. Almost two years later and I guess the joke’s on me… Anyway… we haven’t done … Continue reading
So… here’s the thing. This mid-year singles list is usually reserved for songs that are all-but certain to end up in my top ten at the end of the year. If judging by the quality of past years, the songs below would most likely fall in the teens or twenties, meaning we’re either going to … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2022 Overall Thoughts I’ll be publishing my top songs of the first half of 2022 … Continue reading
Wonho continues to be one of K-pop’s most consistent soloists, taking the reigns of his career by co-composing his work. This gives his music a sense of authenticity, but not the kind of “sit in the corner of a coffee shop with your guitar” authenticity that often colors our idea of a singer-songwriter. You can … Continue reading
The Bias List // K-Pop Reviews & Discussion 