At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Given their large configuration, Seventeen has already spawned many solos and sub-units. Next up is Hoshi & Woozi: the performer and the songwriter… to boil it down to an overly simplistic description. They’re also the same age, which is where the title 96ers comes from, and will presumably need to start their military service soon. … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. January 2022 Overall Thoughts It’s a new K-pop year! I always feel optimistic in January because … Continue reading
Seventeen members have used the buzzword “mixtape” as a way to slowly branch out as soloists. Last time I checked, a digital single doesn’t quite count as a mixtape, but I’ll happily take new music in whatever form it’s offered. After similar efforts from Hoshi, The8, Wonwoo and Mingyu last year, Seventeen’s vocal leader Woozi … Continue reading
An idol group is nothing without their actual music, and that music doesn’t come to life on its own. K-pop producers and composers shape a year’s sound more than anybody else, and in 2016 there were five that stood out as being particularly energizing. + Make sure to check out the rest of the year-end … Continue reading
The Bias List // K-Pop Reviews & Discussion 