One thing I’ve always appreciated about Epik High is that, even when they’re exploring trends, they have a style unique to them. This blend of alternative and old school hip hop gives their music a familiar base to work from and guarantees a certain amount of continuity between albums. The last time we heard from … Continue reading
Late last year, I took a look at the “big three” k-pop agencies and offered my thoughts about how they were doing in 2016. Now that a year has passed, it’s the perfect time for a second evaluation. As with 2016’s review, this is written from an outsider’s perspective. I’m not privy to any business-related … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2017 Overall Thoughts September is oftentimes underwhelming, since it marks the point in the year where … Continue reading
Ever since it was announced that Sechs Kies would be signing with YG Entertainment for a late-career comeback, many were waiting for that big track that would herald the return of one of the k-pop’s most-loved 90’s groups. Instead, the agency released piecemeal remake albums and compilations, anchored by new tracks that felt solid but slight. … Continue reading
2017 has been the year of Bigbang members’ solo tours, organized as farewell victory laps as military conscription looms in the near future. After G-Dragon visited Seattle back in July, I was happy to see that band mate Taeyang would be coming even closer to my corner of the world — landing in Vancouver, BC … Continue reading
At their core, double title tracks are designed to showcase two sides of an artist. With Bobby’s I Love You displaying a youthful, upbeat vibe, Runaway is given the task of digging a little deeper and hitting a more emotional tone. As such, it’s an important piece of a well-rounded comeback, even if the end … Continue reading
Boy group iKON feel like they’re in the same place as fellow YG artists Winner were last year. Their career kicked off with a highly successful debut that built them a steady and dedicated fan base, but their domestic promotions have started to stall in years two and three. What they need is a Really … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2017 Overall Thoughts August was a weird month. Based on prior releases, if you would have … Continue reading
Last year, I marked the halfway point of 2016 by looking at some tracks that had either grown better or worse with time. This year, I’m a little late — but better late than never! As with 2016, the vast majority of my reviews still reflect my thoughts about a song, but sometimes it’s impossible … Continue reading
Back with double title tracks, Taeyang has made a long awaited comeback as mandatory military enlistment looms in the distance. While Darling stripped back on production flourishes to shine a strong spotlight on his powerful vocals, Wake Me Up takes a trendier approach. Bigbang, and its members’ solo work, have such an idiosyncratic sound that … Continue reading
It’s been a long time coming, but 2017 seems to be the year of Bigbang members’ solo comebacks. First we had G-Dragon in June, and now it’s Taeyang‘s turn. The White Night album arrives with great anticipation, especially after the monstrous success of 2014’s Eyes, Nose, Lips. And for the first of two title tracks, … Continue reading
Formed through YG Entertainment competition show Who Is Next in late 2013, Winner went on to enjoy breakout success with their first full length album. Since that time, the group has seen ups and downs, with truncated promotional campaigns and the loss of founding member Taehyun. But against all odds, Winner has returned as one … Continue reading
After the incredible success of Really Really, Winner have unexpectedly become to the torchbearers for tropical k-pop. But while they’ve displayed a natural ease with this genre, I’m hoping that their transformation doesn’t ultimately become problematic. Tropical pop is already a fatigued genre, peddled by anyone and everyone in k-pop. I was personally sick of … Continue reading
With the departure of member Taehyun, Winner has adopted a surprising dance-oriented sound that led to the massive success of April’s Really Really. In a rare display of smart, efficient management, YG Entertainment has allowed the guys to make a quick follow-up designed to cement their new style. When I heard that Love Me Love … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2017 Overall Thoughts July is always the month I look most forward to when it comes … Continue reading
Thinking back to when Akdong Musician were just an awkward pair of siblings competing on season two of K-Pop Star, it’s hard to believe they’ve managed to become such a force within the k-pop industry. Their quirky talent shone from the beginning, but with each new comeback it’s becoming clear that their sound doesn’t need … Continue reading
Better late than never, I suppose. Though Love doesn’t get a music video that actually features PSY and Taeyang in it, I’m happy that the song is still garnering some promotion. When PSY’s album was released back in May, it was heralded by a pair of title tracks that stuck to his tried and true … Continue reading
It might not be the k-pop hub that is L.A., but living in the Pacific Northwest, we get our fair share of concerts in neighboring Vancouver. Even so, when I saw that G-Dragon had extended his world tour to Seattle, it seemed like a minor miracle. I can’t remember a time when a big-name k-pop … Continue reading
The first time I saw and heard One was as part of the short-lived duo 1Punch. Their Turn Me Back was one of the most underrated singles of 2015, but it turns out that its catchy New Jack Swing style wasn’t really what One was about. Rather than continue that sound for his solo debut, … Continue reading
Much has been made about the debut of YG Entertainment‘s first new solo artist in years, and with that kind of qualifier you might expect a splashy, go-for-the-jugular k-pop smash. But rather than offer the sort of bombastic, swag-filled hip-hop that the agency has become known for, One debuts with a laid-back summer track that … Continue reading
The Bias List // K-Pop Reviews & Discussion 