Boy group ENOi debuted last spring with the deep house track Bloom. I didn’t get a chance to review the song, but thought it was a decent – if super generic – offering. Like I always say, being a rookie is all about standing out and crafting a style all your own. Bloom did neither … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. ATEEZ have finally wrapped up their Treasure series and, suitably, their … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I’m still not quite sure how I feel about VERIVERY’s Lay … Continue reading
Okay, K-pop, I think it’s time to admit you have a problem. Out of the eight songs I’ve reviewed this week, 50% of them have suffered from the dreaded half-time trap-rap breakdown in their second verse. The rest were mostly ballads or mid-tempos, which don’t generally include rap at all. Some songs are strong enough … Continue reading
Despite garnering huge success as part of idol group Wanna One, Ong Seungwu’s post-disbandment activities have focused more strongly on acting than music. His solo work has been limited to a fun (but forgettable) summer single and an OST for his drama At Eighteen. He’s yet to actively promote a song on music shows, and … Continue reading
My reactions to DreamNote’s singles have been pretty polarized so far. I was not a fan of their self-referencing debut, but follow-up Hakuna Matata wormed its way into my top fifty tracks of 2019. New single Wish (바라다) falls somewhere in the middle, borrowing elements from both songs without pushing the group’s sound in any … Continue reading
Say what you will about the effects of Produce 101 (and believe me, I’ve had a lot to say on the matter), but its influence has reignited interest in idol acts that fall outside of the usual group configurations. Both soloists and duos have seen a resurgence in popularity, offering the chance for popular trainees … Continue reading
VERIVERY were one of my top three rookies of last year, and much of that had to do with their distinct new jack swing sound. But, like almost every boy group in the history of K-pop, 2020 sees them “maturing” that sound into edgier territory. Not only have they switched styles, but they’ve brought in … Continue reading
Soloist Younha has had a long and illustrious career, filled with commercial highs and lows. But, her name has now been rocketed back to attention thanks to a feature from BTS’s RM. That song, produced by the brilliant Eden/Ollounder/Leez team, isn’t even her title track. Given its big-name collaborators and general awesomeness, it probably should … Continue reading
Before I get into my thoughts about Answer, I want to heap praise on ATEEZ’s Treasure series one last time. It’s been an incredible run, meticulously planned and artfully executed. The fact that their last album’s outro ended up being a teaser for Answer blows my mind, and the way that new release Action To … Continue reading
The release of a group’s first full-length album is a big deal, but the roll-out for SF9’s First Collection has felt simultaneously rushed and muted. Today was an especially confusing landmark, as we received the track list, highlight medley and music video all within hours of each other. And, the album’s not even out until … Continue reading
We’re only two days into the new year, but K-pop has already delivered a new debut… of sorts. Top Gang feels more like a pre-release for boy group MCND, and the song was first performed on music shows last month. I’m not sure what MCND’s eventual concept will be, but I’m hoping that this track … Continue reading
Unlike many music markets around the world, K-pop rarely promotes follow-up singles beyond a special performance or two. That’s why I was surprised to see teasers for Dongkiz’s All I Need Is You. I neglected to feature this song as a buried treasure back in November, but now I don’t have to because it joins … Continue reading
In a K-pop world where Sweetune productions are becoming more and more of a rarity, the last bastion of reliably good Sweetune jams has fallen. Yes, boy group TST have moved on to new producers. And, like most groups who make this transition, their material has suffered. I appreciate what they’re trying to do with … Continue reading
I often write about how important it is for a K-pop group to develop a signature style. But, there comes a point when repetition becomes self-plagiarism. This is where Momoland exists now. Ever since the viral success of 2018’s Bboom Bboom, each title track they’ve released has sought to replicate that exact sound. This was … Continue reading
Dear Bias List readers: this is the kind of beat that makes me deliriously happy. Growing up, Michael and Janet Jackson’s discographies were my definition of pop perfection, and that really hasn’t changed. Give me a bright, funky instrumental and I’m happy. Add a powerful kick and layers upon layers of rhythm and I’ve reached … Continue reading
Though I never had a chance to cover it, EXID’s Japanese debut album bore some interesting fruit this spring. I especially enjoyed their willingness to explore a variety of retro beats, which has always been one of my favorite aspects of their music. With the group on indefinite hiatus, new J-pop single Bad Girl For … Continue reading
Even as the year comes to a close, Stray Kids keep churning out new material. Less than a month after their most recent comeback, the group has unveiled a mixtape project. Since debut, they’ve included a special mixtape track on the physical version of each of their albums, with some even being paired with music … Continue reading
Well, this song came out of nowhere! Boy group Cross Gene is facing a diminishing roster, with member Takuya the latest to exit in pursuit of new challenges within the entertainment industry. The group now stands as a quartet, and leader Shin Wonho is thankfully still among their ranks. Though he’s more well-known for his … Continue reading
Red Velvet’s ReVe Festival series has seem them blitzing through a variety of styles with all the whiplash of a good carnival ride. Though I wasn’t too hot on it in the moment, the polarizing Zimzalabim remains my favorite title track from the project. It encompassed their quirky “red” side, which has always been my … Continue reading
The Bias List // K-Pop Reviews & Discussion 