To be honest, the title “Charizzma” sends a shiver down my spine. Naming your song “Charisma” would be cheesy enough since this is a quality you should be showing rather than telling, but adding the “Z’s” (a la the cringey slang “rizz”) practically makes the song collapse in on itself before even starting. HITGS already … Continue reading
Xdinary Heroes fans are regularly fed by the band, who must be one of the most prolific acts working at the moment. It feels like new music is always just around the corner, whether that’s in the form of fully-promoted comebacks or drips and drabs of digital singles. New single FiRE (My Sweet Misery) falls … Continue reading
Doh Kyung Soo has one of the richest tones in K-pop, but as with so many great voices his solo music has usually steered toward ballads and coffeehouse-ready midtempos. There’s nothing wrong with that, but the style doesn’t exactly inspire excitement. Teasers of his first full album seemed to promise a more diverse set of … Continue reading
Jeon Somi has returned with what will likely be her only new music this year. Talk about a discography doled out in crumbs! Despite debuting as a soloist all the way back in 2019, she’s never been given more than one single or mini album per year, making it even more important that each and … Continue reading
Prior to their comeback at the end of the month, One Pact released an EP of solo songs from each of the members. I won’t be writing about most of them since I don’t have much to say, but Jong Woo’s solo Passout instantly caught my ear and now it has a special video to … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. H1-KEY remain one of K-pop’s most … Continue reading
In the space of two weeks, I’ve gone from not knowing who or what 1VERSE was to being just about ready to sign up as captain of their fan club. You can thank their YouTube channel for that. This is the first act from new agency Singing Beetle, brainchild of former SM Entertainment A&R Michelle … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. It’s been awhile since I’ve featured … Continue reading
With ALLDAY PROJECT’s breakout success, co-ed K-pop groups may be having a moment. What better time for KARD to reheat the nachos they created and show the industry how it’s done? However, it’s been a very long time since those nachos felt fresh, as the group has moved from their refreshing tropical sound to a … Continue reading
Girl group RESCENE enjoyed a bit of momentum with last year’s single Love Attack, but their agency has been unable to capitalize on this so far. Title track Glow Up came and went with little fanfare earlier this year, and the buzz around new single Deja Vu also seems to be muted. The public clearly … Continue reading
2025 has seen a number of boy group debuts spawned from survival series, and so far they’ve been killing it. NouerA and Close Your Eyes led charge and now it’s AHOF’s turn. This global group was formed on SBS series Universe League and their awkward acronym stands for “All-Time Hall Of Famer.” Time will tell … Continue reading
As 2025 kicked off, BABYMONSTER were still promoting their first album with a series of follow-up tracks. A second album has been promised for this fall (though take that with a grain of salt given YG Entertainment’s track record) and the summer-themed Hot Sauce acts as its opening salvo, released digitally to kick off the … Continue reading
I keep putting “(Victon)” after Han Seungwoo’s name whenever writing about his music, but it may be time to let that tag go. Given the state of the group’s contract renewals, it seems unlikely that they’d be coming back any time soon. Instead, it’s time to focus on solo projects and Seungwoo already has a … Continue reading
Debuting in early 2019, ONEUS are inching toward that all-important seven year mark when contracts will be up for renewal. Their presence in the industry has felt more muted these past few comebacks, churning out solid but inessential material that hasn’t quite lived up to their most enduring work. Now, after a series of solo … Continue reading
Earlier this year, NouerA released my favorite debut of 2025 so far. Their N.I.N (New Is Now) was the rare track that fully referenced an old-school K-pop sound — modern global trends be damned! In an era where so many new K-pop songs simply sound like western pop tracks performed in Korean, it was refreshing … Continue reading
Thus far, TWS have stuck with a signature sound for their title tracks and utilized follow-up promotions to showcase a wider spectrum of styles. I like this approach, especially since we all know their particular brand of “boyhood pop” won’t remain the same forever. Their debut Japanese single further teases on the Plot Twist template, … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. CRAVITY deserve praise for releasing a … Continue reading
Jessi’s career has evolved in stages. There are times when her music is as hot as can be, but also many instances where her celebrity feels on the backburner. I have a huge soft spot for her place in Korean music, as she boasts a fiery charisma that’s different than most idols. It’s always lovely … Continue reading
There have been a number of think pieces about how Billboard’s Hot 100 chart has become whiter, more male and more Christian this year. It’s a troubling development for anyone who fears baby steps toward theocracy as I do, and the chokehold Alex Warren’s Ordinary has had on the charts is one of this movement’s … Continue reading
Leading up to the release of their second EP, Katseye have delivered contrasting charms. Gnarly and Gabriela led us from the bold to the boring, which makes me wonder if there’s a happy medium somewhere in the middle. New track Gameboy doesn’t aim to answer that wonder, choosing instead to echo popular trends for a … Continue reading
The Bias List // K-Pop Reviews & Discussion 