Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. When SF9 secured the path to their eventual debut on … Continue reading
As happens with many acts within Johnny’s Entertainment, News have slowly become j-pop’s answer to a reliable old Vegas act. I don’t mean this as an insult. The group’s willingness to indulge in every manner of over-the-top novelty is one of their most endearing assets. And like any veteran performers, they always back it up with … Continue reading
This is a generalization, but it’s safe to say that SM Entertainment is more notable for hiring outside composers and producers than relying on their artists to self-produce material. Because of this, their idols essentially function as delivery methods for the huge stockpile of songs the agency is sitting on. This isn’t to take away … Continue reading
Though they’ve never found the mainstream success their music warrants, Cross Gene has been a reliably strong k-pop group since their debut in 2012. For their latest Korean release, they’ve mashed two pre-release tracks into one hybrid title track. The approach is more interesting than enjoyable. I felt the same way when Shinee experimented with this idea … Continue reading
Rocker and TV variety personality Jung Joon Young has developed a pattern of crafting raucous alternative rock with his group Drug Restaurant (formerly JJY Band) and more traditional Korean balladry when it comes to his solo work. The latter approach gave us the incredibly Sympathy last year, and with new single Me And You he’s … Continue reading
Though it’s not likely to receive that same attention as BigBang‘s similarly scheduled roll-out in 2015, DAY6 are releasing a single and accompanying music video each month this year. It’s a remarkably exciting prospect, especially for a group who feels like they haven’t been allowed to release nearly enough material since their debut in 2015. January’s … Continue reading
Though it grew on me a bit as time went on, I’m still not a big fan of SF9’s debut single. Regardless of that, the group has already cultivated a nice fan base out of the gate and are clearly on the track to become a big player in this new generation of k-pop. New … Continue reading
Though members Zico and Park Kyung have made waves as solo artists, Block B‘s group comebacks are becoming more and more infrequent. It’s hard to believe that it’s been almost three years since they gave us a song as bright and upbeat as 2014’s HER. But with the rollicking Yesterday, they’ve finally revisited this style. The … Continue reading
Though new debuts by k-pop groups are always exciting, I’d argue that their follow-up release is even more important. When making a first impression, investments are high. But the real test is whether a group can keep up the quality, especially when it comes to rookies from small agencies. MASC impressed with debut track Strange last … Continue reading
This time last year, SM Entertainment‘s 52-week Station project kicked off with Taeyeon’s Rain. At the time, it seemed like an exciting prospect that could have gone in any number of directions. And though the end results weren’t usually as thrilling or noteworthy as they could have been, the project itself felt like a total … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Though Red Velvet’s new single Rookie didn’t quite meet my expectations, … Continue reading
On a certain level, I’ve often found Zion.T’s output to be frustrating. It would be hard to find anyone who would deny his influence on Korean music over the past couple of years. He has one of the most identifiable and iconic vocal tones in k-pop, and has almost single-handedly invented his own genre of neo-soul. … Continue reading
Ever since their debut, SM’s Red Velvet has existed in a somewhat awkward place between mainstream and experimental. Their music has borrowed elements from both extremes of their agency’s girl group output, but every time they score a song that feels like the perfect blend, they seem to take a step or two back with … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Shinee‘s latest Japanese album, Five, is super solid. The first … Continue reading
As Korea spends one more day celebrating the Lunar New Year, putting new k-pop releases on hold, it’s a good time to spotlight one of the most promising new j-pop groups of 2016. FlowBack debuted last year, and Heartbreaker was released in December, but the song is too good not to share — even a month … Continue reading
Shinee‘s j-pop material has always been stronger than many of their peers, but their new album Five is especially solid. Bolstered by a heavy dose of bombastic funk, most of its tracks see the group moving towards a big, uptempo party vibe that contrasts with their more experimental, nuanced work last year in Korea. Get … Continue reading
I very rarely write about songs performed in English, but this being a super slow week in k-pop releases means that Gallant’s new song gets a mention. Of course, with Eric Nam and Tablo taking over two thirds of the track, Cave Me In is about as Korean as a Western pop song could be. … Continue reading
I’ve been watching K-Pop Star since it’s been on the air, but I’ve always been surprised out how few bona fide stars it actually produces. Apart from Akdong Musician and Lee Hi, the show has become more closely associated with indie acts. This isn’t to say that an artist with a less pop-influenced style can’t be a … Continue reading
Rookie group IMFACT were frustratingly managed in their debut year, suffering a fate that has affected many new acts before them. Rather than establish a distinct sound, they pin-balled between the upbeat novelty of debut Lollipop and the tuneless, swagger-on-steroids of Feel So Good. Neither were particularly great songs, and both seemed built to appeal to vastly … Continue reading
As her group Miss A continues to exist in an uncertain position somewhere between hiatus and disbandment, Suzy has finally made her full-fledged solo debut with the JYP-produced Yes No Maybe. But even though the song is part of her debut mini album, she’s been one of k-pop’s most famous idols for some time, spurred on … Continue reading
