When writing about EXO’s excellent album track Gravity, I mentioned that I never judge their albums before hearing the repackage. After all, some of the group’s most iconic singles (Growl, Love Me Right) were the products of repackages. Even last year’s high-energy Power improved The War album by giving it an extra shot of anthemic … Continue reading
The end of the year countdowns are finally here! As always, things kick off with the big one… The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
Twice have had a truly prolific 2018. With The Best Thing I Ever Did (올해 제일 잘한 일) acting as a capper, they’ve released seven official singles and a few additional music videos. Throughout it all, I’ve been consistent in wishing the girls would tackle new sounds. I realize how hypocritical this might come across, as … Continue reading
The end of the year countdowns are finally here! As always, things kick off with the big one… The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
The season of ballads continues to roll on, and it’s the perfect time of year for BTOB’s Lee Changsub to release his debut mini album. As expected, it’s a down tempo affair. But like Infinite’s Sungkyu, he’s gone for a rock-tinged sound that helps differentiate his own music from that of his group’s. Given this … Continue reading
The end of the year countdowns are finally here! As always, things kick off with the big one… The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
Almost six months after their title track Shoot Me, the second part of DAY6’s Youth series is upon us. Beyond the sequential numbering of the mini-albums, there doesn’t seem to be a huge musical thread running between the two projects. But, as strong as the material has been, I’m not too concerned with continuity. On … Continue reading
The end of the year countdowns are finally here! As always, things kick off with the big one… The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
2018 arrived still reeling from the lingering aftereffects of tragedy, as Jonghyun’s passing continued to loom large in everyone’s minds. But the year went on to deliver one of the strongest Januarys in memory. Title tracks pin-balled between genres and there seemed to be a renewed, free-wheeling energy within the idol industry. The Winter Olympics … Continue reading
Disclaimer: As with my write-ups on the Big Three agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what any other fan would know. The purpose of these articles is to examine how well these agencies are serving their artists and the general k-pop fan-base. Before you … Continue reading
Disclaimer: As with my write-ups on the Big Three agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what any other fan would know. The purpose of these articles is to examine how well these agencies are serving their artists and the general k-pop fan-base. If you’re … Continue reading
Over the course of their three year career, UP10TION have never developed a signature style. Instead, they pinball from concept to concept, making their comebacks quite unpredictable. Over the past few years, they’ve released some of my favorite K-pop tracks (exhibits A, B). But, just as often, they’ve returned with subpar material that feels too … Continue reading
Laboum released one of my favorite girl group singles of 2017 with the upbeat Hwi Hwi. But rather than double down on this style of bubblegum pop, they’ve spent 2018 pursuing a more subdued, mid-tempo sound. July’s Between Us proved that they were a solid match for this musical transition, so it only makes sense … Continue reading
The much-dreaded (but inevitable) SHINee hiatus begins next week when leader Onew will begin to serve his mandatory military conscription. Before that, he’s gifted fans with his very first solo album — a collection of ballads appropriately titled Voice. His rich tone has been an anchor for so many SHINee songs, but I don’t think … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Now that the dust has settled on Red Velvet’s Really Bad … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. Key’s title track One Of Those Nights is totally solid, but … Continue reading
It’s December, which means we’ve entered the month of ballads and holiday releases. GOT7 are kicking things off with the sentimental Miracle, which spearheads a repackage of their latest album. Even if their music hasn’t always been to my taste lately, I’ve got to give it to the guys. Most repackages add two to four … Continue reading
In what has become an annual tradition, it’s time to take a look at K-pop’s biggest agencies and offer my 2018 verdict. Last weekend, I looked at SM Entertainment and YG Entertainment, and now it’s time to complete the “big three” with JYP Entertainment. As usual, the thoughts are my own and aren’t privy to any … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2018 Overall Thoughts November is always packed with comebacks, but rarely have we seen one … Continue reading
When it comes to the increased presence of English releases in the K-pop industry, it can be hard for me to decide which songs to review on this site. I very rarely write about English-only songs, whether released by a K-pop group or as a cross-cultural collaboration. I’m extremely picky when it comes to English … Continue reading
The Bias List // K-Pop Reviews & Discussion 