In keeping with their enormous group configuration, tripleS have blitzed us with an equally enormous fleet of comebacks today. “msnz” is a “universe” within tripleS (their words, not mine) with four “dimensions,” each of which has released their own song and music video. I rarely have enough stamina to write about four tracks from even … Continue reading
In keeping with their enormous group configuration, tripleS have blitzed us with an equally enormous fleet of comebacks today. “msnz” is a “universe” within tripleS (their words, not mine) with four “dimensions,” each of which has released their own song and music video. I rarely have enough stamina to write about four tracks from even … Continue reading
Whenever a group I enjoy states they’ll be releasing a song that “sounds nothing like anything we’ve done before,” I get nervous. Yes, I want groups to push outside the box and experiment with new sounds, but in K-pop “nothing like we’ve ever done before” tends to mean attempting some (bad) global trend an agency … Continue reading
Sometimes it takes a few songs for a group’s sound to totally click with me. I enjoyed ILLIT’s 2024 megahit Magnetic as much as anyone, but it wasn’t until this year’s fanciful Do The Dance that I totally understood what the group could be. Lately, their music has veered closer to third-gen groups like Lovelyz … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. NCT Dream’s Beat It Up grew … Continue reading
Out of curiosity, I went back to see the last time I was genuinely excited about a Stray Kids track (ie: rated it an 8.5 or higher), and that turned out to be all the way back in 2022 with their Mixtape track Time Out (which wasn’t really promoted beyond a music video). Since then, … Continue reading
I remember a time where male idols went off to serve their mandatory military conscription and didn’t (or weren’t allowed?) to promote during this hiatus. Nowadays, it’s common for these idols to pre-record entire albums and videos to dole out while they’re away. The only thing that’s missing are music show performances! Cha Eunwoo enlisted … Continue reading
When last we heard from girl group VVUP, they were inviting us to their house party — over, and over, and over again. That pre-release promised upbeat sounds for their first mini album and the colorful (and very LOUD) video for title track Super Model certainly backs that up. We’re in full camp territory here, … Continue reading
One of my biggest pieces of advice for any newly debuted group is: don’t give the public time to forget about you. Starship Entertainment seem to agree when it comes to their promotions for IDID. The group actively promoted and performed their debut track for almost two months and now they’re extending that blitz with … Continue reading
It’s that time of year again! While December is filled with year-end countdowns, I like to take a look back at some of K-pop’s biggest agencies during November. Before reading (especially if you’re new to the blog), it’s helpful to know that my grading focuses most heavily on music releases and how comebacks are managed … Continue reading
The apostrophe-averse Baby DONT Cry debuted earlier this year with two promoted songs and a fun, upbeat sound in need of development. Several months later, they’re back with the defiant I DONT CARE. Music aside, it’s become clear that the group’s management doesn’t care about the rules of capitalization and punctuation. I’d love to hear … Continue reading
This is a repost of my “buried treasure” write-up for this song since it’s now been given a music video and extra promotion. I don’t always repost these, but given BABYMONSTER’s popularity it makes sense to push this back to the top of the blog. It also gives me a chance to re-evaluate the song, … Continue reading
After not caring for much of their music last year, NEXZ has slowly and surely won me over in 2025. This culminated with last month’s Beat-Boxer, a song that has proven to be one of my biggest growers in recent memory. I love its stupid, cartoonish energy and nonsense lyrics. It’s made me realize that … Continue reading
I haven’t written about a solo track from Infinite’s Dongwoo since 2019, which might as well be a lifetime ago. Since then, the guys have regrouped under their own agency, toured extensively and released new music that (sadly) hasn’t done much for me. Now, it’s time for Dongwoo to showcase his own talents with a … Continue reading
HYBE’s new Japanese boy group aoen has had an absolutely fine debut year, but so far none of their music has pointed toward a distinct direction for the guys. Both The Blue Sun and Seishun Incredibles felt generic in their own way, with more interesting material slotted in as b-sides. Fortunately, their team has decided … Continue reading
I don’t know what’s gotten into me this year, but there have been several boy group tracks I’ve loved that — in the past — I might have dismissed as “noise music.” I suppose as this trend has softened it’s made the sound less infuriating. Or, maybe the songs have just been more fun. Chief … Continue reading
I’ve made quite a swerve with ALLDAY PROJECT’s Famous since its release back in June. The first impression was not favorable, and as the song started to gain purchase on the charts I couldn’t help but wonder why. However, repeated listens (and eventual ubiquity) helped Famous worm its way into my brain until I became … Continue reading
The Bias List // K-Pop Reviews & Discussion 