It’s been almost a year since the last proper NCT Dream comeback, though with the way the ever-rotating NCT system works these long hiatuses never feel quite as endless. New single BOOM also acts as the first promoted song under the group’s six-member configuration. With Mark graduating from Dream at the end of 2018, the … Continue reading
As Wanna One’s first center and a bonafide variety show star, Kang Daniel is easily the most anticipated of the group’s post-disbandment debuts. He’s spent the past few months locked in a legal struggle with his former agency, but has come out victorious with his own label and (presumably) a new sense of artistic control. … Continue reading
As I impatiently wait for some of my favorite acts to make long-overdue comebacks, it made me wonder how long the longest K-pop hiatuses have been. So, I did some research! The following statistics are rounded by month rather than specific days, unless there was a tie between two acts. I’ve kept my focus to … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Sometimes it feels like K-pop releases are preceded by endless weeks of teasers, so Mamamoo’s surprise drop of Gleam (다 빛이나) is a refreshing new strategy. It makes me wonder if an idol act will ever release an entire album without an extended promotional lead-up. Of course, Gleam is essentially a soundtrack for a CF, … Continue reading
Despite largely being produced by the same team, VAV’s singles run has been pretty hit or miss. They’re at their best when forgoing trends and focusing on polished songwriting and dynamic instrumentals. This was the case for March’s Thrilla Killa, which bolstered the group with forceful, funky production and a charismatic concept. This is not … Continue reading
Rookie girl group GWSN have drawn attention thanks to their signature sound of aegyo-infused deep house. And though I’d prefer to remove the first half of that description, I admire that the group has such a specific vision when it comes to style. Rookies are a dime a dozen nowadays, but these girls have already … Continue reading
The year of debuts rolls on with 2019’s second Wanna One-spawned idol group. CIX will likely enjoy instant success due to the presence of member Bae Jinyoung. They’re C9 Entertainment’s first male idol group, following the ill-managed Good Day, who have yet to deliver a single comeback since their 2017 debut. With the continued popularity … Continue reading
Sometimes K-pop salvation comes from the most unexpected of places. With most of July’s big-name comebacks disappointing, it’s up to the industry’s under-the-radar artists to pick up the slack. With the Ghostbusters-sampling BlockBuster, Dongkiz have done just that. The group first burst on the scene with November’s Nom, which was later recycled for their official … Continue reading
Before EXO’s Chanyeol and Sehun debuted as an official sub-unit, they paired together to deliver last year’s SM Station track We Young. That song offered a nice balance between hip-hop and harmonized melody, with a warm tone that took advantage of the interplay between the guys’ voices. This weekend’s pre-release Just Us 2 followed suit, … Continue reading
The rise in popularity of K-hip-hop and K-r&b has fundamentally changed the K-pop landscape, and we’re reeling from those effects this summer. Hip-hop sub-units are nothing new for idol groups (hello, Infinite H!), but in a climate where this sound is becoming more ubiquitous they no longer feel like an unpredictable novelty. Bringing together members … Continue reading
Hyoyeon’s transformation into an EDM DJ initially felt like a gimmick, but last year’s addictive Punk Right Now proved that she was willing to have fun with the genre. With Badster, she delves deeper into the scene, offering a convincing dose of psytrance that throws much of its focus on crafting a high tempo instrumental. … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
TVXQ have been busy in both Korea and Japan since both members were discharged from the military in mid-2017. But so far, nothing they’ve released has quite matched their pre-enlistment material in my opinion. Yunho’s recent solo album brought back some of those old-school TVXQ vibes to great success, and will hopefully act as a … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Like it or not, this summer in K-pop has been completely hijacked by downtempo hip-hop and r&b — a holding pattern that is likely to continue next week with big releases by EXO-SC and Kang Daniel. I personally despise this turn of events, but what are you going to do? The music charts want what … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Here’s a road map to the lead-up of Pentagon’s new comeback, as seen through my jaded eyes: 1. The group releases teasers for a summertime single. Good! Fun summery songs have been almost nonexistent this year. 2. The title track is revealed to have been produced by hip-hop artist Giriboy. 3. Ugh. Here’s the thing. … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
