New boy group AM8IC impressed me with their pre-debut Buzzin and its fun, funky riff on Ghostbusters. Now, it’s time for the guys to make their actual debut with their first mini album. Title track Link Up opts for a more reserved energy, borrowing from many familiar 2025 sounds. Link Up‘s verses are emblematic of … Continue reading
ONF have been a firm favorite of this blog since their debut, but trouble seemed to be in the air surrounding this new comeback. Not only does it interrupt the promising “My Identity” series the group launched earlier this year, but it completely jettisons their main producer Hwang Hyun in favor of in-house talent from … Continue reading
Repackage albums aren’t as common in K-pop as they used to be, but I’ve always liked them. They give artists a chance for an ultra-quick comeback and extend the promotional life of a project. CRAVITY’s Dare To Crave was already a very strong album with a killer title track, but now they’ve extended it with … Continue reading
ITZY released a strong single this spring with Girls Will Be Girls, but that album’s club-heavy b-sides pointed toward an even more promising avenue for the girls. Their charismatic performance style feels perfectly suited to the kind of talk-heavy dance music that’s currently in vogue and I’m surprised they didn’t release that kind of title … Continue reading
Though I would prefer to fall in love with every song I ever hear, sometimes it’s fun to have songs you hate as well. It’s like an arch-nemesis designed to irk you at every turn. In a strange way, I have a special fondness for music that ranks below a “5” rating on this blog. … Continue reading
In a sea of copycat comebacks, Just B have forged their own sonic path. Their recent music has borrowed heavily from hyperpop, delivering brief bursts of dense electronic soundscapes. While this hasn’t always worked as well as it could, I admire them for picking a genre and sticking with it. New title track True Heart … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. For their new mini album, NEWBEAT … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I’ve been meaning to write about … Continue reading
It’s that time of year again! While December is filled with year-end countdowns, I like to take a look back at some of K-pop’s biggest agencies during November. Before reading (especially if you’re new to the blog), it’s helpful to know that my grading focuses most heavily on music releases and how comebacks are managed … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Apart from its brilliant title track, … Continue reading
TXT’s Yeonjun made his solo debut last year with the quirky (and ultimately addictive) GGUM. Now, it’s time for him to try his hand at an album. No Labels arrives with plenty of hype in both Korean and international markets and promises to offer a fuller picture of his artistry (and body, if judging by … Continue reading
Given their status as a Japanese idol group, NCT Wish have been more active in Korea so far. This seems to be the trend for J-pop groups formed by K-pop agencies. However, they have new Japanese material on the horizon and they’re teasing that now with surprise pre-release Dreamcatcher. NCT Wish’s material has been extremely … Continue reading
Boy group NTX surprised me in the best way possible with their title track Over N Over earlier this year. That song adopted a second/third gen K-pop sound with anthemic gusto and instantly became a standout in their discography. Now, the guys have returned with more creative control and a sonic switch-up that sees them … Continue reading
After an exciting flash of energy with 2024’s Love Attack, girl group RESCENE retreated back to current girl group tropes for their work this year. Still, they’ve developed a small but passionate fan base and are set to expand those numbers with an upcoming album. Up first is pre-release Heart Drop. Honestly, all of these … Continue reading
Newbeat debuted earlier this year with a sound that was decidedly not for me. Their “new beat” included a surplus of irritating sing-talk and recycled samples we’ve heard a thousand times before from boy groups. But with a first comeback comes the chance to course correct. The version of Newbeat heard on Look So Good … Continue reading
I recently finished watching the JYP edition of The Game Caterers — a field day suite of games involving members of every active JYP group. The series was a lot of fun and I admired how agency COO J.Y. Park participated as well. It was like watching the principal of a school hang out with … Continue reading
XLOV’s genderless concept is so welcome in K-pop and makes me want to support the group wholeheartedly, but I’ve struggled with the disconnect between their image and their music. This summer’s 1&Only became a sleeper hit for me, but even then the song felt much too straightforward for XLOV’s ambitions. Sadly, new single Rizz is … Continue reading
After twenty-two years in the industry, TVXQ’s U-Know has finally unveiled his first full-length solo album. This project was preceded by Body Language, a track I found disappointing in almost every regard. Thankfully, title track Stretch feels much more aligned with U-Know’s incredible legacy. It’ll never not be weird to hear a TVXQ release minus … Continue reading
The Bias List // K-Pop Reviews & Discussion 