In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
The music video for Kis-My-Ft2’s newest single has been out for a few days, but I’ve been holding off on writing about it because I honestly couldn’t decide how I felt about the song. For those who have never heard of this group, they boast my favorite J-pop discography, largely due to songs like this … Continue reading
DKZ are the latest K-pop group to release an album called “Reboot.” For whatever reason, these “reboots” have a really great track record, resulting in super strong work from Wonder Girls, Golden Child and Treasure. But this time around, I’m not really sure what DKZ are rebooting. Title track Like A Movie sounds like it … Continue reading
The lead-up to ARTMS’s debut album promises a number of tracks and videos, quickly establishing the lore it took over a year for creative director Jaden Jeong to craft with LOONA. This kicked off with intro track Birth, which felt more like a series of ideas than a full-fledged song. New track Flower Rhythm is … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. It’s so nice to have ONF … Continue reading
Despite making their debut in 2020, I’ve never written about a Rolling Quartz song on the blog before. Korean rock bands like this fall into a unique category. They often perform on weekly music shows alongside idols, but their music and promotion has an approach that feels more indie. Whatever you want to call it, … Continue reading
EPEX’s material has been pretty hit or miss for me, but digging deeper into their song credits the group has worked frequently with (most of) the team that’s crafted The Wind’s discography. I’ve got my eyes on these producers, and for new single Youth2Youth (청춘에게) they seem to have brought a bit of that soaring, … Continue reading
K-pop loves nothing more than to run a trend into the ground. You’ll get a fresh, exciting debut track (ITZY, NewJeans) only to see years of middling copies that suck all the charm from the sounds you first fell in love with. We’re currently in an age of what many have called “easy listening” girl … Continue reading
If we imagine the K-pop industry as a shopping street, ONF’s music is that quirky little boutique sandwiched between big box stores. Their continued pairing with producer Hwang Hyun has resulted in a discography that — while varied in sound — boasts a consistent character and perspective. This has made them the only K-pop act … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I was probably a little hard … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Tomorrow is TXT’s most consistent album … Continue reading
Three years ago, (G)I-DLE’s Yuqi released the brilliant Bonnie & Clyde — a pummeling piece of pop/rock with the driving energy of a dance track. That song utilized her husky tone in ways we rarely hear from (G)I-DLE’s work, making me long for more solo work. That era is finally upon us with a mini … Continue reading
ILY:1’s past few comebacks have traded in the kind of post-GFriend/Lovelyz “innocent” sound not found often in today’s girl groups. The song have been facsimiles, but nostalgic ones. Now, the group has taken an edgier swerve with the funky dance pop of new single IMMM. And for the first minute or so I was convinced … Continue reading
Catch The Young’s debut song ended up growing on me over time, but my biggest impression was that the track was very strong but the performance left something to be desired. Funny enough, follow-up Voyager has the exact opposite problem. The guys sound much more comfortable here and the vocal performance is way more polished, … Continue reading
Nothing has been more depressing than watching the slow downward drift of Woollim Entertainment. They’ve long been host to my favorite K-pop artists and an A&R team who reliably selects top tier songs. However, the agency hasn’t released more than a three-song single album since November 2022. I’m not sure what’s going on, but their … Continue reading
Kiss Of Life made a notable debut last summer with multiple solo releases leading up to a full group track. It was a mixed bag musically, but offered glimpses of how exciting they might sound in the future. So far, their material hasn’t quite lived up to that promise, but new single Midas Touch rekindles … Continue reading
“Spring songs” don’t seem to be as big a deal in K-pop as they used to be. This time of year, we used to be assaulted with all sorts of gentle, coffeeshop fare perfect for the season. But now that “subdued” has become a K-pop buzzword, I guess many songs fit this bill without needing … Continue reading
Today marks the debut of Cube Entertainment’s Nowadays. They follow in the footsteps of agency seniors Beast, BTOB and Pentagon, each of which debuted with a song very in keeping with their K-pop era. By all accounts, we’re now in K-pop’s fifth generation, but the boisterous OoWee feels more in line with the industry’s past … Continue reading
The Bias List // K-Pop Reviews & Discussion 