Since signing with from20 and Hello Gloom’s Way Better agency, A.C.E’s Kang Yuchan has debuted as a solo artist and is now returning with his first mini album. This album represents an important milestone for both him and the agency, standing as one of their biggest projects yet. Co-written by Yuchan and Hello Gloom, Close … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
A.C.E’s Kang Yuchan signed with from20 and Hello Gloom’s Way Better agency, joining a boutique line-up of solo male artists. It’s been fun watching this agency grow, though they have not been without their missteps. A set of ill-advised teaser photos for this very track had to be yanked off the internet as fans complained … Continue reading
For a group of their stature, A.C.E have developed an outsized fanbase internationally, touring extensively to cultivate fans all over the world. Their music has occasionally catered to this market, though the past few years have been quite inconsistent when it comes to sound. In my heart, I’ll always hold A.C.E as those daring upstarts … Continue reading
We rarely hear K-pop groups promote ballads anymore, usually making them a pre-release (if they’re released at all). A.C.E have a history of this approach with their excellent 2020 track Stand By You. They definitely have the vocal firepower to pull it off, and special single Anymore takes advantage of this skill. Rather than Stand … Continue reading
In between comebacks, A.C.E have often released special singles of various genres. Most of these songs feel more like appetizers than full courses, allowing the group to dabble in different music markets with English-language performances. Supernatural arrives in an English and Korean version. I’ll be linking the Korean version because whenever given the chance that’s … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
Though they’ve delivered a few pre-release songs, we haven’t had a title track from A.C.E since 2021. The group still isn’t quite whole for new single My Girl, but with Kang Yuchan (Chan) recently coming back from military service, the days of five-member promotions seem just around the corner. As far as long-awaited comebacks go, … Continue reading
Following a tradition first established in 2020, I’m celebrating the holidays today with the opening of gifts. These packages come in the form of seasonal K-pop tracks not yet reviewed on the blog. Like last year, I’m either keeping the gifts or planning to return them. Nothing this year is objectively bad, but I only … Continue reading
A.C.E are the latest boy group to make a long-awaited, post-enlistment return. We haven’t heard from them since 2021’s Changer, but now they’ve teased the release of a new album in the coming weeks. Before that, we have special pre-release single Effortless — an English-language track that’s very in line with current trends. For me, … Continue reading
I’ve listed my “top tens” for many artists, but it’s time to rummage through entire discographies and rank every single from worst to best. This feature will primarily tackle groups who have disbanded or gone on indefinite hiatus. It’s a way for me to re-evaluate my initial thoughts on their singles run. Don’t be surprised … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
Imagine a big bushy Christmas tree — or replace that with whatever decoration or tradition matches your wintertime festivities. Underneath are packages galore, each containing a winter-themed K-pop track. Some have been unwrapped early (Stray Kids’ Christmas EveL, Billlie’s Snowy Night, ONEUS/ONEWE’s Stay) but there are still plenty to go. After furiously opening each gift, … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2021 Overall Thoughts September is usually a hit of miss month. Releases tend to be … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2021 Overall Thoughts So far, the rule of 2021 seems to be “expect the unexpected.” … Continue reading
A.C.E may not come back very often, but they’ve managed to place a song in my year-end top ten for two years running. ‘Quality over quantity’ is not a bad approach, and they’ve been wise to stick with the same circle of producers to ensure a cohesive discography. Higher is their latest release with composer … Continue reading
With 2019’s Under Cover and 2020’s Favorite Boys (Goblin), A.C.E have proven their ability to deliver a knockout title track. I wish they would funnel all their energy into crafting more of these killer releases. But, K-pop is an ever-expanding market, and idol groups have a variety of options on their plate. Despite coming from … Continue reading
Each year, it feels like K-pop places more and more emphasis on its music videos. And while I’ll always be a fan of the songs first and foremost, there’s no denying the power of a potent visual. Here are my ten favorites of 2020. 2020 YEAR-END MASTERPOST Honorable Mentions: AKMU – Happening CRAXY – Aria … Continue reading
The Bias List // K-Pop Reviews & Discussion 