2018 was a fantastic year when it came to album tracks. In fact, many of them were stronger (and more interesting) than their title track counterparts. This makes for a very competitive top 40 list, as well as a host of honorable mentions. Honestly, I could’ve tripled the amount of honorable mentions and still had … Continue reading
Unlike the past few years, no rookie really caught my attention in 2018. There were a few high-profile debuts, but most new acts came from very small agencies. Instead, this was a year where 2017’s rookies really got a chance to shine. In many ways, 2018 felt like the year of the project group — … Continue reading
The end of the year countdowns are finally here! As always, things kick off with the big one… The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. October 2018 Overall Thoughts October was like one of those Halloween horror movies with a twist … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. LEEZ Years … Continue reading
As Block B seems poised to move on to different things, their agency has debuted a younger brother group in the form of ATEEZ. Before even listening to their music, I assumed they’d be given a hip-hop sound similar to their seniors. But then I saw the name LEEZ pop up as a producer for … Continue reading
The Bias List // K-Pop Reviews & Discussion 