The Bias List is a K-pop blog that also covers a fair amount of J-pop. But just like most music fans, I enjoy tracks from all around the world. So, I thought I’d start a monthly round-up of some of the non-K-pop songs that have caught my ear. No ratings — just highlights! February 2022 … Continue reading
We’re knee-deep in wintery releases this month, and SM Entertainment has always been a huge fan of the snow-draped ballad or festive midtempo. WayV are the latest to deliver a winter-themed album, though title track Eternal White (白色定格) is malleable enough to play all year. Rather than throw sleighbells at the song, Eternal White is … Continue reading
SM Entertainment has been on a roll lately with their boy group albums, though they’ve also struggled to pick the best songs to promote as title tracks. I’m hoping that might be the case with WayV as well, especially since their albums tend to hold many buried treasures. New title Big Bands is bolstered by … Continue reading
Last month, China partially lifted its nine-year ban on Korean content, including K-pop concerts and releases. This news didn’t receive nearly as much attention as it should have, especially considering the massive effect it may have on the industry. Given this year’s global affairs, I wouldn’t be at all surprised if K-pop agencies pulled resources … Continue reading
It’s a slow day (week? year??) in K-pop, so I’m going to sidestep over to the Chinese market for a moment with the debut solo single from NCT Dream’s Chenle. The song is part of a “special EP,” and given the way Chinese music is usually promoted I assume this album will be released in … Continue reading
I combed through the Bias List archives and was surprised to find that it’s been over three years since I’ve written about new music from Seventeen’s The8. He’s released a couple of songs since then, but new single Orbit (轨道) bolsters his first EP. With Seventeen enjoying a mega-successful year, this release feels like icing … Continue reading
The Bias List is a K-pop blog that also covers a fair amount of J-pop. But just like most music fans, I enjoy tracks from all around the world. So, I thought I’d start a monthly round-up of some of the non-K-pop songs that have caught my ear. No ratings — just highlights! February 2022 … Continue reading
To round out my mid-year countdowns, I’ve got a spotlight on some of my favorite songs and albums from music markets that aren’t Korea or Japan. To simplify things, I just call this category “pop.” What were your favorite singles and albums during the first half of 2024? TOP SINGLES Bentley Robles – IAM IAM … Continue reading
WayV returned last year with a solid album and an interesting title track. Now that summer fast approaches, their newest comeback promises something brighter and groovier. Given that one of my favorite WayV b-sides is 2020’s buoyant Electric Hearts, this is definitely welcome news. And with the NCT universe not as dominant as it used … Continue reading
The Bias List is a K-pop blog that also covers a fair amount of J-pop. But just like most music fans, I enjoy tracks from all around the world. So, I thought I’d start a monthly round-up of some of the non-K-pop songs that have caught my ear. No ratings — just highlights! February 2022 … Continue reading
WayV’s first full album released all the way back in 2020, leaving fans with infrequent comebacks prior to their new full-length On My Youth. The guys have remained busy appearing on NCT albums and performing at this year’s KCON LA. But now, they’re back with a track that blends old and new to great success. … Continue reading
There will be no summer barbeques or afternoons at the beach for Jun’s Psycho. This song spends its time in a windowless room, chains and restraints attached to the walls. Summer fare this is not. Jun has recorded solo material before, most recently with last year’s Limbo. Psycho follows a similar vibe, though it’s more … Continue reading
For the second year in a row, I’m adding a special countdown for all the pop music (ie: anything that isn’t Korean or Japanese) I loved in 2022. I’ve slowly dipped my feet back into international music markets, highlighted by the blog’s “Global Round-Up” posts that kicked off this February and will continue into the … Continue reading
For the second year in a row, I’m adding a special countdown for all the pop music (ie: anything that isn’t Korean or Japanese) I loved in 2022. I’ve slowly dipped my feet back into international music markets, highlighted by the blog’s “Global Round-Up” posts that kicked off this February and will continue into the … Continue reading
WayV have often released the strongest music within the NCT universe, including standout singles like Turn Back Time, Take Off and Moonwalk. But, we haven’t had a proper WayV comeback in nearly two years. During that time, members have released solos and sub-units alongside their participation in larger NCT projects. New single Phantom picks up … Continue reading
I’ve been wanting to write this post for awhile because I think it’s really fun to look back at old reviews and re-evaluate them with fresh eyes. Opinions on music change over time, and that’s just as true for songs I despised when they were first released. Here, you’ll find the nine lowest-rated songs in … Continue reading
Surprise! I don’t often write about pop music outside of Korea and Japan, but I thought I’d switch things up for a day and countdown my favorite non-K-pop/J-pop tracks of the year. I’ve had a few requests for this and it might be interesting to gain some context for my music taste outside of The … Continue reading
Surprise! I don’t often write about pop music outside of Korea and Japan, but I thought I’d switch things up for a day and countdown my favorite non-K-pop/J-pop tracks of the year. I’ve had a few requests for this and it might be interesting to gain some context for my music taste outside of The … Continue reading
WayV’s Ten has been a busy guy. After releasing his solo Paint Me Naked last week, he’s teaming with fellow WayV member YangYang for another English-language dance track. Low Low takes more influence from hip-hop, though the song doesn’t actually include any rap. Instead, it finds comfort in a breezy, head-nodding beat that matches well … Continue reading
Seemingly out of nowhere, WayV’s Kun and Xiaojun announced the release of their first single album. Both are designated as main vocals within the group, yet don’t always have the opportunity to shine as part of WayV’s hip-hop heavy sound. Unsurprisingly, Back To You (这时烟火) is a ballad, stripped to its bare bones to offer … Continue reading
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