K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2021 Overall Thoughts We may still have December before us, but according to the norms … Continue reading
After releasing a mammoth twenty-one track album in February, Chungha has been pretty quiet. But, she’s back to close out the year with digital single Killing Me. After such a long hiatus, this is nice treat that falls in line with the “Savage,” club-ready segment of Querencia. It’s this style of song that seems so … Continue reading
After the unexpected viral success of Gang, Rain has reaffirmed his musical legacy by collaborating with the right people. First up was the summer smash Beach Again, performed alongside Lee Hyori and Yoo Jaesuk. Then, he paired with longtime mentor Park Jinyoung for the addictive new jack swing of Switch To Me. And on the … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Chungha’s new album is a behemoth. … Continue reading
The roll out for Chungha’s first studio album Querencia has stretched across eleven months, showcasing a variety of sounds and styles. This extended run of singles has been quite successful, offering a little something for every taste. The album itself takes advantage of this. It’s divided into four distinct sides, each driven by a specific … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. January 2021 Overall Thoughts It’s the start of a new year, and new possibilities when it … Continue reading
Chungha’s months-long rollout of singles has nearly reached its conclusion, with an album release just around the corner. Even if the quality of these singles has been mixed at times, I’ve been very impressed with their versatility and Chungha’s development into a well-rounded artist. New single X (걸어온 길에 꽃밭 따윈 없었죠) continues to grow … Continue reading
A day after ranking my favorite rookies of 2020, it’s time to look at K-pop’s more established artists. This year, the criteria is the same as it’s always been: Quality of work Quantity of work Influence of work on the industry As usual, the first criteria far outweighs the next two, and is entirely subjective. … Continue reading
Well… 2020 was certainly different, wasn’t it? It was a year where the industry couldn’t function as usual, but that didn’t stop K-pop from churning out more music than ever. It was a year of unprecedented international success and rising album sales — just as most other music markets struggled to move physical product. It … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2020 Overall Thoughts November was absolutely packed with releases, and though only one title track … Continue reading
The year of random, sporadic Chungha releases continues, with an album finally in sight early next year. In 2020, she’s focused on showcasing her versatility as an artist, and this approach has been quite successful. Chungha is really growing into her own, unafraid to skirt between multiple genres. The most recent example of this is … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2020 Overall Thoughts For the first time in months, I feel pretty good about where … Continue reading
Though Chungha has yet to release her 2020 album, she’s delivered quite a few new tracks already. Not all of these have been equally successful, but I’ve generally been pleased with her more up-tempo offerings. New single Play follows suit, harnessing the well-worn power of tropical pop to craft a summer-ready anthem. It mostly works, … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2020 Overall Thoughts This may not seem like much within the context of 2020’s continual … Continue reading
Leading up to the release of her long-fabled full album, Chungha has catered to various markets. We had the energetic Stay Tonight for the dance clubs, the dull My Friend for the coffee shops, and now the upbeat Be Yourself for the… Sprite drinkers. Yes, this song is not only part of MNH’s ongoing New.wav … Continue reading
Chungha’s been hinting at a full album release in the near future, and she’s taking a promotional approach more widely seen in Western acts by unveiling several singles before the official comeback. This is a shame, as I really think that April’s Stay Tonight deserved the full title track treatment. Unfortunately, I can’t say the … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2020 Overall Thoughts With stay-at-home orders in effect all month, there was certainly time to … Continue reading
Since her solo debut in 2017, Chungha’s popularity has steadily climbed. She’s arguably become the most successful female soloist in this generation of idol pop, with every title track lodging itself in the charts for months at a time. With this in mind, I’ve always felt left out from the party. Beyond a song here … Continue reading
Despite only being home to two artists, MNH Entertainment has kicked off a digital platform similar to SM Entertainment’s Station. New.wav mirrors Station’s execution, if not its scope, offering a chance for the agency’s artists to showcase strengths that might not usually poke through in their title tracks. For girl group BVNDIT, that meant tackling … Continue reading
The Bias List // K-Pop Reviews & Discussion 