So, K-pop industry… how do you expect me to take a song called “Poongdung” seriously? There’s onomatopoeia and then there’s just silly sound effects. I guess “풍덩” is more of an established sound in Korea and doesn’t translate well internationally. Fortunately, the song’s summery sound works across all markets. We’ve heard many iterations of this … Continue reading →

As we tiptoe toward September, Cignature are back to offer their take on a summer song. Smooth Sailing (안녕, 인사해) is bright and insistent, delivering a smooth shot of brassy pop uplift. This group has had many guises thus far, but this ebullient energy fits them well. It’s at once nostalgic and on trend, concerned … Continue reading →

We last heard from Cignature in late 2021 when their title track Boyfriend opted for familiar “Top 40” pop tropes that could have been pulled from any global music market. New single Aurora (오로라) returns to a more quintessentially K-pop sound, offering a straightforward take on the bubbly energy that fueled past comebacks like Arisong … Continue reading →

It’s been more than a year since Cignature’s last comeback. In that time, the group has seen member changes and a reinvention in sound. Gone are the crazy days of Arisong (whose bonkers approach ended up being super fun), replaced by the much more subdued Boyfriend. K-pop reinventions aren’t rare, but how will a rookie … Continue reading →

Nearly every song on Cignature’s debut mini album has a sound effect title, and that pretty much says it all. Nun Nu Nan Na, ASSA, Daldalhae, HingHing… we’re in full-on aegyo, nursery rhyme mode here. And, that doesn’t have to be a bad thing. ASSA was a fun little concoction, comfortable in its own silliness. … Continue reading →

When writing about their debut Nun Nu Nan Na, I gave Cignature a lot of flack for an approach that’s plagued too many current girl groups. More often than not, their performance style favored chirpy, infantile affectations rather than robust singing, making their music feel more like a nursery rhyme or playground taunt. Follow-up single … Continue reading →

Last year, rookie group Good Day sat atop my list of new K-pop acts with the longest hiatuses, and their endless break turned out to be their death knell. But, like a phoenix from the ashes, the group has been reconfigured as Cignature, consisting of five of the former Good Day members plus two new … Continue reading →