EXO’s Kai pre-released Adult Swim earlier this month, wasting extraordinary potential on a dull, spoken-word chorus. His actual comeback is still around the corner, but before that he’s surprised us with another new track. Walls Don’t Talk picks up the pace a bit and feels slightly more developed than its predecessor, but still delivers a … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
With Kai serving his mandatory military enlistment, it’s been just over two years since I’ve gotten to write about one of his solo singles. But now that he’s back, he’s wasted no time getting into the studio. A new mini album is on the way with pre-release Adult Swim tiding us over in the meantime. … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
There’s been a fair amount of controversy around the promotion of Xiumin’s Whee!, as SM Entertainment seem to be up to their old tricks of blocking artists who have left the agency. Xiumin remains a part of EXO, but he’s embarked on his own solo career under new management. Whee! is his first work under … Continue reading
It’s that time of year again! While December is filled with year-end countdowns, I like to take a look back at some of K-pop’s biggest agencies during November. Before reading (especially if you’re new to the blog), it’s helpful to know that my grading focuses most heavily on music releases and how comebacks are managed … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2024 Overall Thoughts While the first half of 2024 was quite strong, these past few … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
During this lull in new K-pop releases, I decided to go back and watch 2012’s MBC Gayo Daejun – the end-of-year extravaganza that ushered in 2013. Not only was it a euphoric time capsule of excellent music and stunning performances, but it brought to mind many thoughts after twelve years of K-pop fandom. Here were … Continue reading
After returning from the military, Baekhyun (mostly) parted ways with SM Entertainment and set up his own label INB100. He’s not the first SM artist to do so, and likely won’t be the last. With this newfound freedom, he’s made his long awaited comeback with the synth grooves of Pineapple Slice. Looking at this song … Continue reading
EXO’s Chanyeol made his comeback last week, but he’s already back again with follow-up single… Back Again. While Black Out took a subdued rock approach, Back Again dives into a more boisterous 90’s sound. It’s a much more interesting song, pulling together several distinct segments. Back Again almost feels like a mash-up. The rapped verses … Continue reading
Originally debuting as a main rapper in EXO, Chanyeol has gone on to release several solo singles in a variety of genres. He may not be a powerhouse vocalist within the group, but his tone has an easily identifiable charm suited to rock and indie music. Black Out comes from his first official solo album … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2024 Overall Thoughts There were a number of big-name releases in May, yet somehow the … Continue reading
On the heels of fellow EXO members D.O. and Chen, Suho has just released his newest solo album. This was preceded by Cheese, featuring fellow SM artist Wendy. That track, and new single 1 to 3 (점선면), borrow heavily from 70’s rock influences. While Cheese‘s influences felt more interesting that the song itself, 1 to … Continue reading
EXO’s soloists each have their own distinct sound, and Chen has become the group’s reliable balladeer. He has the voice to match, and his music scratches a certain sentimental itch that has made it a fan favorite. However, it takes a whole lot for a ballad to stand out on my playlist. When I love … Continue reading
The members of EXO are busy this month, as leader Suho follows D.O. with his own solo release. As has become common lately, he’s kicking off promotions with a pre-release track. Cheese keeps things in the SM family, enlisting Red Velvet’s Wendy for guest vocals. This frothy pop-rock track feels as if it would be … Continue reading
A week ago, EXO’s Doh Kyung Soo (D.O.) pre-released the fluffy pop track Popcorn, hinting that his new album might have a more upbeat twist to it. Title track Mars fulfills that promise, transferring the gentle, coffeehouse appeal of his music to a sprightlier sound palette. Mars is still very much within the “easy listening” … Continue reading
After leaving SM Entertainment, EXO’s D.O. has reverted to his given name for his new album, set for release next month. Before that, we have pre-release Popcorn — an uncharacteristically cutesy bit of pop fluff. I tend to tie Kyung Soo’s solo music to the coffeehouse, and Popcorn still fits comfortably into that setting. However, … Continue reading
Before the end-of-year countdowns next month, I like to take a look at many of K-pop’s biggest agencies and see how their year went. Obviously, 2023 is not over yet so any upcoming changes to an agency’s grade will be reflected next year. We’ve got a lot to pick apart over the coming weeks, so … Continue reading
The Bias List // K-Pop Reviews & Discussion 