This feature has gradually shifted from a December to a November tradition, leaving more space for next month’s sprawling end-of-year countdowns. Over the next few weeks, I’ll be looking at many of K-pop’s biggest agencies and offering my thoughts about how their 2022 went. Following SM Entertainment and YG Entertainment‘s evaluations, it’s time to dive … Continue reading
This feature has gradually shifted from a December to a November tradition, leaving more space for next month’s sprawling end-of-year countdowns. Over the next few weeks, I’ll be looking at many of K-pop’s biggest agencies and offering my thoughts about how their 2022 went. Following SM Entertainment‘s analysis earlier this week, it’s time to dive … Continue reading
This feature has gradually shifted from a December to a November tradition, leaving more space for next month’s sprawling end-of-year countdowns. Over the next few weeks, I’ll be looking at many of K-pop’s biggest agencies and offering my thoughts about how their 2022 went. First up is SM Entertainment. As usual, the thoughts are my … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
I’ve decided to try something new! Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of … Continue reading
I’ve been wanting to write this post for awhile because I think it’s really fun to look back at old reviews and re-evaluate them with fresh eyes. Opinions on music change over time, and that’s just as true for songs I despised when they were first released. Here, you’ll find the nine lowest-rated songs in … Continue reading
We’ll take a brief hiatus from the usual Sunday Open Discussion post today because my annual “Risers and Fallers” feature always spurs conversation. Every July, I like to take a look at which songs have either grown or sunk on my own playlist. With years of reviewing under my belt and a pretty solid understanding … Continue reading
So… here’s the thing. This mid-year singles list is usually reserved for songs that are all-but certain to end up in my top ten at the end of the year. If judging by the quality of past years, the songs below would most likely fall in the teens or twenties, meaning we’re either going to … Continue reading
It’s been a loooong while since I’ve published a concert recap, but that’s because it’s been a long while since I’ve been to a concert! My last one was SuperM in February 2020 – mere days before Covid upended the world. So… who would be the group to coax me out of this long lull? … Continue reading
The Bias List launched at the beginning of 2016, making that year’s song countdown the first I published in any meaningful way. I’ve since gone back to look at 2015, 2013 and 2012 (hmmm… I guess I need to fill the holes that are left…). Now that it’s been almost six years, I thought it … Continue reading
It’s been a pretty dire week for K-pop releases, and I’m getting a little tired of griping about things I don’t like when it comes to songwriting and execution. So, I want to flip the script and focus on the things that appeal to me in a pop song. I thought about making this the … Continue reading
As a supplement to my individual episode recaps, I like to take a look at the original songs that make up Queendom‘s finale. These were pre-released ahead of next week’s performances, which means we can judge them on their own merits rather than the effects-heavy stages that will no doubt bring a healthy dose of … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of J-pop’s most innovative and accomplished producers and composers. TAKUYA WATANABE … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of J-pop’s most innovative and accomplished producers and composers. HIKARI Years … Continue reading
It’s the new year!! 2021 was a real mixed bag, but I’m optimistic about 2022. For my first post of the year, it’s time to look at some humble wishes for the K-pop industry. I apologize if this comes across as more of a rant than a celebration, but you know how I can be. … Continue reading
We’re down to the wire now with K-pop’s final year-end festival. MBC’s show is usually my favorite. It feels the most festive, bridging the gap between New Year’s Eve and New Year’s Day. It also tends to have the most robust artist line-up. Like every festival of the past two years, this one revolved around … Continue reading
In a Bias List tradition, it’s time to look back at last year’s K-pop Resolutions and see how well my wishes fared. Tomorrow, I’ll kick off the new year with a list of ten new hopes for 2022. I have a notoriously bad track record when it comes to these wishes coming true, but it … Continue reading
After the borefest that was KBS’s Song Festival, I wasn’t really in the mood to see what SBS had to offer. But, the cheesy-fun introductory stage, where all the artists joined together to sing Mariah Carey’s All I Want For Christmas Is You, turned my frown upside down. We haven’t gotten many chances to see … Continue reading
The Bias List // K-Pop Reviews & Discussion 