If any group might have been spared the effects of k-pop’s prolonged tropical love affair, I assumed it would be one like N.Flying. Since reemerging with new member Hweseung last summer, they’ve consistently delivered a rollicking brand of punchy power pop, as joyously silly as it is addictive. Tropical house doesn’t usually play well with … Continue reading
Along with many other male groups of their era, FTIsland is approaching that dreaded military enlistment time, where each member will have to momentarily leave the entertainment industry for their mandatory service. This portion of an idol’s career tends to bring with it an added sense of sentimentality, as artists bid a temporary goodbye to … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. I’ve gone back and forth in my opinion about SF9’s … Continue reading
Since their debut in 2016, SF9 have flirted with a variety of genres and sounds. With October’s O Sole Mio they seemed poised for a breakout, exploring the kind of Latin influences that had been conquering the global music scene for months. Because of this, it’s surprising to hear that they’ve pulled a one eighty … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. January 2018 Overall Thoughts It’s a brand new year, which means all possibilities are on the … Continue reading
While AOA remains on hiatus, leader Jimin is back with her second solo single in conjunction with W Magazine. October’s Hallelujah seemed to be on the cusp of trends by incorporating a Latin touch, but Hey reverts to a bratty sound that Jimin has become known for. After all, she is the undisputed queen of … Continue reading
Rap/rock hybrid N.Flying scored one of last summer’s most addictive surprises with the spirited The Real. Their agency FNC is home to several idol rock groups, making it harder for these guys to carve out a niche all their own. But by adding second vocalist Yoo Hwe Seung, N.Flying have developed a boisterous style of … Continue reading
K-pop is a highly visual medium, and although my song reviews try not to focus on the accompanying music videos, I certainly have my opinions! Here are my top ten visual moments of 2017, along with quite a few incredible honorable mentions. + Make sure to check out the rest of the year-end countdowns here! … Continue reading
Hundreds (if not thousands) of songs are released each year in Korea, but only a fraction receive full title track promotion. This leaves behind many buried treasures in need of a spotlight. Here are forty of 2017’s best: + Make sure to check out the rest of the year-end countdowns here! 40. TWICE – 24/7 A … Continue reading
The end of the year countdowns are here! We’re kicking things off with the big one… the top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, songs must have had … Continue reading
Disclaimer: As with my write-ups on the Big Three agencies, this is written from an outsider’s perspective. I’m not privy to any business-related financial information beyond what any other fan would know. The purpose of these articles is to examine how well these agencies are serving their artists and the general k-pop fan-base. Big Hit … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. October 2017 Overall Thoughts October matched February with 2017’s highest cumulative rating thus far, and I’m not … Continue reading
Three years after riding high as one of k-pop’s most successful breakout girl groups, AOA has found themselves in a bit of a slump. After member controversies and the departure of main vocal ChoA, it’s unclear where they’re headed next. We haven’t heard from the girls since January’s double title track release, and I can’t … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. So far, I’ve found SF9’s album releases to be of … Continue reading
SF9 only debuted a year ago and have already experimented with a number of styles. Switching things up again, their new single finds them trading hip-hop and EDM for Spanish guitars. Latin music has long been a familiar excursion for boy bands of the West, but its influence is far more unusual when it comes to … Continue reading
Most of the time, a kpop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of kpop, I wanted to spotlight some of these buried treasures and give them the props they deserve. I’ve never given N.Flying much attention before, and FNC Entertainment … Continue reading
Newer k-pop fans would be forgiven for not knowing who N.Flying are. Despite being a rookie group from a sizeable agency, the guys haven’t made a Korean comeback in nearly two years. Before that, they presented two very different sounds. Debut single Awesome shone a spotlight on their rap/rock sound, but felt a little too … Continue reading
Though his band CNBLUE has released more than their fair share of great music, the format of a pop/rock group has always seemed to limit Jung Yonghwa’s innate sense of showmanship. The guy knows how to command a stage and pull the audience right into a song. His first solo album in 2015 spawned a … Continue reading
As we’ve seen over the past few months, making it to a ten-year anniversary is no small feat when it comes to k-pop. FTIsland join a select few that have outlasted the threat of disbandment and roster changes and failing agencies. For that alone, they deserve immense respect. Even more kudos should be given for … Continue reading
FNC Entertainment has been working overtime, debuting HONEYST just seven months after launching SF9. Both groups were featured in the agency’s Dance Or Band series, which — despite its competitive nature — felt more like an advertisement for everyone involved than an actual rivalry. And though SF9 were chosen to debut first, the acoustic-leaning HONEYST … Continue reading
The Bias List // K-Pop Reviews & Discussion 