Such is the selling power of BTS that they don’t even have to rap or sing on a track to make waves. Heize’s new single was co-written/produced by Suga, and her agency wants you to know it. This isn’t to say that Heize needs much help in the promotion department. Her idiosyncratic voice and smooth … Continue reading
Queen of the digital charts Heize has returned with an ambitious comeback, releasing two music videos (with a third on the way) for her newest mini album. Honestly, the prospect of reviewing the entire trio is more than daunting. I like Heize’s music just fine, but it hardly fits within my wheelhouse. They always say … Continue reading
Heize has become something of an ‘it girl’ in Korea, rising to the top of the charts with each release. This is helped along by the nature of her music, which feels alternative by k-pop standards. Male soloists like Crush and Dean have found success with a softer blend of r&b, hip-hop and balladry, but … Continue reading
The last time Junhyung released a promoted solo single it was 2013’s absolutely brilliant Flower. 2013 was a high watermark year for the artists-formally-known-as-Beast. It also felt like the era that Junhyung’s composing partnership with Kim Taejoo — under the moniker “Good Life” — was really coming into its own. Fast forward to 2017 and … Continue reading
Heize first gained fame about a year ago by appearing on the second season of Unpretty Rapstar, but rather than follow an expected hip-hop trajectory since the show’s finale, she’s offered music that adds much more of a melodic, r&b influence. Taking this approach even further, Star (저 별) goes full-on ballad, showcasing Heize’s vocals over spare … Continue reading
Heize and DEAN are two artists looking to break out. At the moment, it seems like DEAN has the better chance of doing so. His more recent songs have charted well digitally, and he enjoys a certain amount of clout as a songwriter. Meanwhile, Heize has the benefit of Unpretty Rapstar behind her, though I … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. Unlike my end-of-year countdowns, jpop and Japanese releases by kpop artists are ineligible, though I will give the great ones a spotlight. For my top three tracks, I’ll take my own ratings into account, but there is a … Continue reading
