At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2022 Overall Thoughts Counting up all of July’s releases, I’m not sure we’ve ever had … Continue reading
I’ve decided to try something new! Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. ITZY’s Sneakers is the specific kind … Continue reading
Over the past few weeks, I’ve become increasingly invested in ITZY’s “Sneakergate.” Originally teased as a chic, royal concept, the rug was pulled from underneath fans when Sneakers’ Kidz Bop-esque audio sample emerged. That teaser went on to become Stockholm syndrome, repeated daily until you had no choice but to give in. A conspiracy theory … Continue reading
Much has been written about the “girl crush” branding that’s taken over K-pop these past few years. Songs within this style have been around for decades, so I’m not sure we can call this a new sub-genre. But, the general template for a “girl crush” track has quickly become oversaturated, making it easy for these … Continue reading
We’re down to the wire now with K-pop’s final year-end festival. MBC’s show is usually my favorite. It feels the most festive, bridging the gap between New Year’s Eve and New Year’s Day. It also tends to have the most robust artist line-up. Like every festival of the past two years, this one revolved around … Continue reading
After the borefest that was KBS’s Song Festival, I wasn’t really in the mood to see what SBS had to offer. But, the cheesy-fun introductory stage, where all the artists joined together to sing Mariah Carey’s All I Want For Christmas Is You, turned my frown upside down. We haven’t gotten many chances to see … Continue reading
It’s not quite December yet, but I’m going to kick off this annual feature a little early this year! Over the next few weeks, I’ll be looking at many of K-pop’s biggest agencies and offering my thoughts about how their 2021 went. Next up is JYP Entertainment. As usual, the thoughts are my own and … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2021 Overall Thoughts September is usually a hit of miss month. Releases tend to be … Continue reading
Rather than release double title tracks, JYP Entertainment has been gifting its acts with a variety of music videos, blurring the line between singles and b-sides. In general, I think this is an exciting prospect, but I’m starting to wish the agency invested as much effort in making great music. As I mentioned in my … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. For me, ITZY’s music has suffered … Continue reading
ITZY burst into K-pop two and a half years ago with a song and sound that made them one of 2019’s most interesting groups. Since then, so many of their peers have ITZYfied their own music – shoveling teen crush attitude over busy instrumentals stuffed with restless, chintzy percussion. ITZY should be immensely proud of … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
Congratulations to Girls’ Generation’s Party! The two songs were neck and neck all day, but in the end it pulled off the victory with 51.6% of the vote. Personally, I’m on team Darling. But, I don’t get to vote! So far, each match-up has included songs popular in different years. This time, the competing tracks … Continue reading
Okay, let’s get this straight before we move on. Break Ice (얼음깨) is a charity release, with proceeds benefiting pandemic relief. For that reason alone, you should stream the song, watch the ads and do what you can. Or, simply donate to the cause yourself. With that said, I’m here to write about what I … Continue reading
I think it’s obvious that I love a good statistic. In addition to my core rating system, I’ve got my top three songs of each month, my yearly countdowns and more data breakdowns than anyone could ask for. None of these are perfect ways to categorize or quantify something as subjective as music, but they … Continue reading
Two years ago, I took a look at my favorite “Songs of Summer” between 2012 and 2018. Now that we’re getting closer to the season, I think it’s time for an update! This time, I’m cheating a bit. I kept this feature’s original title for continuity’s sake, but my top song of summer for 2020 … Continue reading
Over the years, I’ve ranted about the state of K-pop boy groups more than a few times. But, I’ve rarely given the same focused critique to the industry’s girl groups. 2021 has been a strong year for the boys so far. At the same time, I haven’t been as impressed with many of its girl … Continue reading
The more distance from 2019, the more ITZY’s debut year feels like a watershed moment in K-pop. Their triple punch of Dalla Dalla, ICY and Wannabe has proven even more influential than expected, developing a sound and attitude that has dominated both the charts and the tastes of many fans. So, my initial question after … Continue reading
I am not a dancer, but I do enjoy some great K-pop choreography. Point dances and exciting formations can really vault a strong song into legendary status, so I think it’s important to take a look at idol dances each year. As usual, this is not a countdown of the most technically impressive or complex … Continue reading
The Bias List // K-Pop Reviews & Discussion 