2023 was a weird year for K-pop choreography. There didn’t seem to be too many iconic point moves, even as TikTok challenges continue to necessitate catchy, easy-to-replicate routines. As usual, this is not a ranking of the most technically impressive performances of the year. Instead, here are ten routines that caught my eye in 2023. … Continue reading
Following a tradition first established in 2020, I’m celebrating the holidays today with the opening of gifts. These packages come in the form of seasonal K-pop tracks not yet reviewed on the blog. Like last year, I’m either keeping the gifts or planning to return them. Nothing this year is objectively bad, but I only … Continue reading
One of the unique features of The Bias List is its “buried treasure” write-ups. I try my hardest to comb through every major K-pop album released each year and when a song catches my ear I highlight it on the blog. This countdown is an encapsulation of those write-ups, ranking my top 40 b-sides and … Continue reading
Now that I’ve taken a look at the new acts that colored 2023, it’s time to focus on their established counterparts. For me, most K-pop years are defined more by their rookies than older artists, and 2023 was no different. As usual, the criteria is built around these three facets: Quality of work Quantity of … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
Tomorrow, I’ll post a year-end recap and my ten honorable mentions before launching into my Top 50 K-pop Songs of 2023 countdown on Monday. But in the spirit of my monthly “Risers and Fallers” feature, I thought it would also be fun to take a look back at the top tens of last year’s countdowns … Continue reading
Before I take a brief look at many of K-pop’s smaller agencies, there are a few that I have more to say about. Consider these “bonus” write-ups — shorter than the “big four” but longer than a paragraph or two could cover. As usual, the thoughts below are my own and aren’t privy to any … Continue reading
It’s not often that K-pop releases collaborations between its major agencies, but Nobody sees representative artists from SM Entertainment, Cube Entertainment and Starship Entertainment come together to deliver a theme for Busan’s bid to host the World Expo 2030. I didn’t know these things warranted a theme song, but I’m glad to have Nobody regardless … Continue reading
IVE’s singles run has been pretty bulletproof so far, but the lead-up to their first EP has underwhelmed at every step. Starship Entertainment opted to promote three new tracks with music videos, which would be awesome if each one was on the level of an After Like or I Am. Instead, pre-releases Either Way and … Continue reading
IVE’s I Am remains a triumphant 2023 highlight, raising expectations for how the group’s music will evolve. Their new EP will be out in a matter days, and we’ve now heard two of its tracks. Pre-release Either Way wasn’t designed to be a knock-your-socks-off showpiece, but even within its genre I found the song pretty … Continue reading
Last time IVE pre-released a song, I initially dismissed it as too noisy and repetitive. Kitsch has gone on to become one of my biggest growers of the year, proving the power of this ascendant group. This time around, Either Way is the first of two pre-release tracks leading up to IVE’s first EP next … Continue reading
This year’s KCON will live in infamy for a number of reasons: outrunning the remnants of a rare hurricane on my way home, testing positive for covid a day after, etc etc. However, this craziness doesn’t mean I don’t have highlights and commentary to share! For the first time, KCON LA’s concerts extended to three … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2023 Overall Thoughts This July was characterized by several things, but on this blog it … Continue reading
The annual Bias List Legendary Songs Inauguration Ceremony has returned! Yes, I’m a few months late on this, but it’s been a busy year of new releases and I was waiting for an empty day to compose this feature. It’s exceedingly rare for me to award any song a 10-out-of-10 rating on release day. Instead, … Continue reading
Look, it’s been a rough year for K-pop tunes. I’ll take a banger wherever I can find one, and if that means approaching some glorified Pepsi jingle with great anticipation, so be it. Of course, I Want is no ordinary Pepsi jingle. We have IVE onboard for this one, and their upbeat, melodic music has … Continue reading
I’m heartened by the fact that only two (!) of my top ten singles of 2022 were released before the month of July. That’s a pretty striking figure, and one I can easily see replicating this year. It’s no secret that I’ve been underwhelmed by the first six months of 2023. It’s not that K-pop … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
IVE’s music has reminded me just how important a good A&R team is. The ability to consistently choose great songs with a clear vision can’t be understated. But often when a K-pop act pursues the Japanese market, their material is determined by outside forces. There are many groups with lopsided discographies Korean/Japanese discographies (looking at … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. IVE’s I Am is by far … Continue reading
The Bias List // K-Pop Reviews & Discussion 