In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Of all possible K-pop artists, I … Continue reading
We haven’t had a Korean comeback from IVE since February, but their Rebel Heart has remained on Korean charts since then and new mega-hit hit single Golden (from the K-pop Demon Hunters soundtrack) has been widely compared to IVE’s past hits. In other words, the group hasn’t exactly been absent from public consciousness. Now, they’re … Continue reading
Not only is it a busy day for K-pop comebacks, but we’ve got a few Japanese releases as well. xikers have already made their Japanese debut and are back with the poppy rush of second single Up All Night. This group’s sound has been all over the place, but I tend to enjoy their songs … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
Following up their promotions for Japanese single Different, LE SSERAFIM have released a music video for its b-side Kawaii. As they clearly want you to know from the producer tag attached to its title, this song was composed by popular Japanese musician Gen Hoshino. This is quite a coup for the group, instantly lending Kawaii … Continue reading
I’ve been riding hard for One Love One Heart ever since their debut in 2022. I truly think their first album LOVE1 is one of the best J-pop albums… ever? It’s been more of a mixed bag since then, but even their most generic J-pop sounds have been buoyed by the natural charm of the … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
It’s a bit bleak over here, ladies and gentlemen. Over the years there have been many times where I’ve been more enamored with the quality of J-pop’s output than K-pop, but 2025 is not one of those years. In fact, there are fewer highlights than I can ever remember at this time of the year … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2025 Overall Thoughts We’re now at the midpoint of 2025, which means I’ll be publishing … Continue reading
Thus far, TWS have stuck with a signature sound for their title tracks and utilized follow-up promotions to showcase a wider spectrum of styles. I like this approach, especially since we all know their particular brand of “boyhood pop” won’t remain the same forever. Their debut Japanese single further teases on the Plot Twist template, … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
There are a handful of ultra-popular Japanese artists whose music I’ve just never connected with. Up until Hachikō, Fujii Kaze was one of those artists. I’ve enjoyed a song here and there, but never to the point where I stopped in my tracks to realize how awesome he could be as an artist. Hachikō is … Continue reading
Since their Japanese debut in 2020, Stray Kids have amassed a rather large J-pop discography. JYP Entertainment has always been good at keeping multiple markets fed, and Stray Kids’ self-producing status ensures a certain level of continuity between their multi-language catalogs. New single Hollow hails from their upcoming third Japanese mini album and sees them … Continue reading
HYBE has made an aggressive push into the Japanese market over the past few years, both debuting their own J-pop groups and deploying their Korean acts with original material. The latest to join this push is LE SSERAFIM, who previously released Japanese-language versions of their Korean hits. Different marks their first original J-pop track and … Continue reading
In connection with my desire to fully keep up with the J-pop industry, I’m planning to do a weekly round-up of any new releases that have caught my ear. Some of these may have been covered on the blog already, but my hope is that this will become a one-stop shop for anyone interested in … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. TWS’s first Japanese single Hajimemashite (Nice … Continue reading
The Bias List // K-Pop Reviews & Discussion 