It just occurred to me that it’s been nearly four (!) years since TVXQ had a proper Korean comeback. Yes, they’ve been active as soloists and have released multiple albums in Japan during this time, but that’s still a long gap for a veteran act with an enormous, enduring fanbase. For now, those of us … Continue reading
At this point on the idol side of the J-pop industry, an entire ecosystem of new groups have emerged, spawned from audition series and heavily indebted to K-pop tropes. K-pop and J-pop have often existed in conversation, with the former borrowing from the latter during many points across the past twenty years. But, K-pop’s ability … Continue reading
Much like Omega X’s Stand Up from earlier this summer, WEi’s new single Maldives reinvents the group as summertime beach boys. I’m not sure why it takes a Japanese release to dabble in this fun, upbeat sound, but I’m glad to hear the guys let down their guard and deliver something fresh and bubbly. Maldives … Continue reading
Late last week, Johnny’s groups SixTONES and Snow Man both surprise-released new music videos on YouTube, fueling rumors they may reunite for another duel-group single. It turns out that Snow Man’s Juicy heralds the release of a new studio album. We’ll need to wait to see where SixTONES’ Party People ends up. Both of these … Continue reading
INI are occupying a very strange place in my own personal fandom. I love the members. I love watching their variety. But apart from this year’s fantastic We Are, their actual music has been pretty disposable so far. I’m not sure if this is a sustainable path, though judging by their out-of-the-gate success in Japan … Continue reading
With retro synth emerging as a dominating trend of the past few years, it’s been interesting to see which groups fit it naturally and which feel shoe-horned in. Exile Tribe’s Fantastics have totally suited the sound – so much that I hardly want them to stray from it! 2020’s High Fever ended up becoming a … Continue reading
It’s been fascinating to watch Johnny’s & Associates navigate the digital world and decide how they want to engage with it. Older fans can remember a not-too-distant time when official YouTube uploads were the stuff of wild dreams. We still get plenty of (frustrating) short music video edits, but more and more the agency is … Continue reading
MNET has their multi-national K-pop formula down to a science. Bring together members from various countries and you have natural inroads for promotion in lucrative markets like Japan. Funnel your acts into agency-sponsored events like KCON and you’ve got a built-in venue with thousands of eager listeners. All K-pop is business, but it’s hard not … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2022 Overall Thoughts Counting up all of July’s releases, I’m not sure we’ve ever had … Continue reading
Back in June, Omega X shifted their sound toward brighter pop for the summer season. Play Dumb didn’t quite get there for me, but I appreciated the move away from the shouty style of their earlier work. It turns out we needed a trip to Japan to see this potential realized in a more satisfying … Continue reading
The Bias List is a K-pop blog that also covers a fair amount of J-pop. But along with most music fans, I enjoy tracks from all around the world. So, I thought I’d start a monthly round-up of some of the non-K-pop songs that have caught my ear. No ratings — just highlights! This is … Continue reading
It’s a testament to how busy K-pop has been over the past few weeks that I’m just now getting around to writing about the new Kis-My-Ft2 single. After all, they’re my favorite J-pop idol group. Earlier in the year, I spent weeks covering every one of their singles on this blog. And just recently, they … Continue reading
One of the nicest things about summer break is having the time to catch up on music from markets I love but don’t always follow with as much discipline as K-pop. Ado’s New Genesis (新時代) may have been released last month, but I’d be remiss not to write about it regardless of how many days … Continue reading
It’s been quite a week for Twice’s fandom. A full group contract renewal, news of an upcoming Korean comeback and now a new Japanese single! Twice has long spoiled their fans, releasing song after song after song, but this latest blitz feels especially concentrated. The aptly-titled Celebrate precedes their fourth Japanese album and continues the … Continue reading
After last summer’s delightful Hello Hello, Snow Man have returned with their newest summer single Orange Kiss (オレンジkiss), which also serves as the theme to leader Iwamoto’s new movie. I haven’t been shy about my admiration for Snow Man’s music. Their personality and charm enhances every song, but the music is no slouch on its … Continue reading
I saw a headline somewhere that referred to Naniwa Danshi as “glitter idols,” and that’s probably the best moniker you could use to describe them. Johnny’s has opted to give them a classic idol concept, complete with over-the-top costuming that’s popped right out of a manga. It’s not remotely trendy, but that’s the point. A … Continue reading
Back in April, I found myself very impressed by NiziU’s digital single ASOBO. But after reviewing it, I went on to… never play the song again. Weird, huh? I guess I was able to recognize the strengths of the song even if they didn’t match my own musical preferences. But though I never returned to … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2022 Overall Thoughts I’ll be publishing my top songs of the first half of 2022 … Continue reading
King & Prince have proven themselves a versatile group, but not in a way that feels unfocused or slapdash. Instead, they’ve been able to dip into several genre pools and develop each as their career has grown. We’ve got the fizzy pop tracks (Cinderella Girl, Koi Furu Tsukiyo ni Kimi Omou), the sleek dance pop … Continue reading
Rocket Punch’s Chiquita may not have enjoyed the staying power I’d hoped, but its super-powered synth remains an early-2022 highlight. It’s a sound I’d like to see the group pursue further, and new Japanese single Fiore moves them in a similar direction. It’s not as overtly-80’s in execution, but the song is at its best … Continue reading
The Bias List // K-Pop Reviews & Discussion 