Over the past few years, my connection to GFriend’s music has started to fracture. From 2015 to 2017, they released some of my absolute favorite K-pop songs in recent memory, culminating in the flawless trilogy of Rough, Navillera and Fingertip. Since then, the group has lost too much of the power from their “powerful innocence” … Continue reading
Though TVXQ are one of my all-time favorite K-pop acts, most of their post-enlistment music hasn’t hit me in the same way as their classic material. However, new Japanese album XV is a strong collection of work, touching on many of the aspects that have made them such a musical force. The guys seem to … Continue reading
As Twice’s Korean output has shifted styles this year, their Japanese music has followed suit. This began with June’s striking Breakthrough, and continues with new single Fake & True. As with the last few years, Twice are churning out new singles with alarming speed, and that ubiquity has helped them make a convincing transformation in … Continue reading
One song. Every day. Alphabetical order. Keep up with EXO’s A-Z reviews here! Drop That (from Countdown – 2018) For as bombastic as their music can be, EXO really don’t have that many straight-up party tracks. Drop That was clearly designed with concerts in mind — the kind of repetitive, high-energy song that spells out … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. September 2019 Overall Thoughts So… I don’t actually have a “top three songs” of September. I … Continue reading
A legacy can be both a blessing and a curse. TVXQ’s storied past includes some of my favorite K-pop ever, and the guys continue to be incredibly active since their return from the military in 2017. Yet, each time they release a new song, I expect it to hit me the way that their past … Continue reading
Among other things, 2019 has suffered a distinct lack of Sweetune-produced tracks. Their work has been relegated to severely under-known boy groups and idol band IZ, with none of their songs making waves outside of small fan bases. So, when I heard that former Kara member Goo Hara would be returning with a Sweetune-penned Japanese … Continue reading
Back in February, IZ*ONE made their Japanese debut with the stirring Suki to Iwasetai. It remains my highest-rated song by the group, but it turned out to be a total red herring. Since that initial album, IZ*ONE’s J-pop singles have been shockingly unpolished. June’s Buenos Aires merged a poor vocal arrangement with an underdeveloped instrumental. … Continue reading
If any K-pop act is poised for Japanese success, it would have to be Dreamcatcher. Their rock-infused sound pulls heavily from J-pop aesthetics. Heavy metal guitars are still very much in vogue when it comes to Japan’s eclectic taste, making the group’s cross-country transition a natural one. Imagine my shock, then, when their first original … Continue reading
There was a time when I would have been excited by the prospect of a Japanese Produce 101 spin-off, but the series has reached the point of over saturation. I’m kind of over the whole thing, especially when considering the franchise’s effect on K-pop as a whole. But, like it or not, Produce is still … Continue reading
After their incredible 2018 success, Momoland are in the process of navigating the tricky business of follow-ups. Their name is known throughout Asia, and they’ve attempted to capitalize on that by recording material aimed at different regions. When it comes to Japan, they’ve already exhausted their most notable Korean output, recording versions of Bboom Bboom … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2019 Overall Thoughts I was certain that August was an improvement over July, but after … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I haven’t reviewed Snuper’s newest Japanese single because… well, it’s pretty … Continue reading
Pentagon made their bid for a summer hit with last month’s Humph, but my feelings about the song could basically be summed up by its title. I hate to see the group succumb to retreads of 2018 hit Shine at the expense of new sounds. Their one-two punch of Cosmo and Sha La La hinted … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Ever since 2017’s Move, Taemin’s solo material has largely followed the … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2019 Overall Thoughts How do I adequately describe just how much of a crippling disappointment … Continue reading
Since venturing out into solo territory, SHINee’s Taemin has split his discography equally between Korea and Japan, maintaining a consistent level of quality regardless of the language he performs in. This is good news for fans, as it means we get new Taemin music regularly. His effortless charisma draws attention no matter what sound he … Continue reading
TVXQ have been busy in both Korea and Japan since both members were discharged from the military in mid-2017. But so far, nothing they’ve released has quite matched their pre-enlistment material in my opinion. Yunho’s recent solo album brought back some of those old-school TVXQ vibes to great success, and will hopefully act as a … Continue reading
Fans of Monsta X are very lucky. Hardly a month goes by without some kind of release from the group or its members. They tour constantly, including a hefty amount of international stops. From the point of view of someone who’s been waiting nine months for a damn Golden Child comeback, this regularity of content … Continue reading
As popular as BTS are around the world, I’m surprised that their Japanese-language material hasn’t felt more essential. For me, the best thing to come out of their J-pop discography isn’t Japanese at all. Instead, it’s the galvanizing ‘Stadium Remix’ of Korean single IDOL (ie: my now-definitive version of the track). Barring a couple of … Continue reading
The Bias List // K-Pop Reviews & Discussion 