So… we all agree that VERIVERY should have just released Beautiful-x and called it a day, right? That song harnessed their signature funk appeal without feeling like a step back into more juvenile material. It stood out among all of the darker, more aggressive styles on Road to Kingdom, and felt perfectly suited to the … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2020 Overall Thoughts This may not seem like much within the context of 2020’s continual … Continue reading
There are few things I enjoy more than a great summertime song. They’re bright, they’re exciting, and they remind me of my favorite time of the year. There’s no telling what this summer in K-pop will bring, but over the next few weeks I’ll be flashing back each day, showcasing a highlight from past summers. … Continue reading
Is it wrong to want an UP10TION comeback? I understand that Jinhyuk and Wooseok gained popularity through Produce X 101, but I don’t buy either of them as a solo star. Plus, I feel bad for the rest of the group, having to watch as two members suddenly get more promotion than UP10TION has had … Continue reading
Well, here I am again… a glutton for MNET’s punishment. After recapping Road to Kingdom, I decided to give I-LAND a try. Most weeks, these recaps will come out Monday or Tuesday after the episode has aired, because that’s when I have the time to finally watch it. OVERALL THOUGHTS ON EPISODE ONE Right from … Continue reading
Pentagon have been teasing the music video release of their Road to Kingdom track Basquiat (바스키아) for a week now, and all the while I kept thinking ‘these visuals must be stunning because the song itself is kind of a non-starter.’ And yes, the performance video is suitably cinematic, adding image to angst in a … Continue reading
2020 has been flush with girl group debuts. The problem is, most of them have emerged from smaller companies and fallen under the radar. Weeekly’s debut has been anticipated for some time thanks to various members’ participation in 2018’s MIXNINE. Their song Tag Me (@Me) borrows from the impossibly peppy, upbeat girl group trends of … Continue reading
There are few things I enjoy more than a great summertime song. They’re bright, they’re exciting, and they remind me of my favorite time of the year. There’s no telling what this summer in K-pop will bring, but over the next few weeks I’ll be flashing back each day, showcasing a highlight from past summers. … Continue reading
I wasn’t too enthralled with 3YE’s debut year sound, but February’s Queen hit me unexpectedly hard. I appreciated how it drew from older K-pop elements, largely foregoing trends. That song alone made me anticipate the group’s eventual comeback. For the first time, a 3YE track arrived with expectations. And judging from my initial shoulder shrug … Continue reading
I consider myself very well-versed with the current goings on of the K-pop industry, yet when I kept seeing this name WOODZ come up, I didn’t have a reference point. Then, when his album started selling at impressive numbers, I wondered what I was missing. A quick google search revealed that WOODZ is the current … Continue reading
Despite finding early success thanks to their Produce-fueled notoriety, AB6IX have had a rough go of it. They’ve rarely been able to promote as a full group, sidelined by injury and now scandal. The Answer (답을 줘) marks their first comeback after leader Youngmin permanently withdrew from the group following his DUI. It will take … Continue reading
The year of Mamamoo solos continues, with Hwasa making a long-awaited comeback. She’s a lightning rod of charisma, and sometimes I think her music relies too strongly on that. She can make anything sound cooler than it is, and if paired with the right song could certainly create something legendary. Last year’s Twit nearly got … Continue reading
Sunmi’s comebacks are frustratingly infrequent, and usually involve little more than a digital single. But when she really delivers, the months-long wait is worth it. Pporappippam (보라빛 밤) pairs her once again with producer FRANTS, who has co-composed most of her post-2018 material. The two are a match made in heaven, especially when they draw … Continue reading
Stray Kids’ God’s Menu has grown on me since its release, but I still think their album Go Live boasts a handful of tracks that would have made much more satisfying singles. Luckily, JYP Entertainment is in the habit of releasing multiple music videos for the group, and that approach has resulted in Blueprint (청사진) … Continue reading
From Can’t You See Me to Puma, the choices around TXT’s latest mini album have easily been my biggest disappointments of 2020. But by promoting album-closer Eternally, Big Hit has finally done something right. Now, don’t get me wrong – although it has some cool, trippy moments, the music video is bloated as hell and … Continue reading
There are few things I enjoy more than a great summertime song. They’re bright, they’re exciting, and they remind me of my favorite time of the year. There’s no telling what this summer in K-pop will bring, but over the next few weeks I’ll be flashing back each day, showcasing a highlight from past summers. … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! August … Continue reading
Astro were one of the first new debuts after I started The Bias List, and it’s been very fun watching them grow over the years. With the release of May’s Knock, they’re delivered enough title tracks to qualify for a top ten list, though I did switch out that underwhelming song in favor of a … Continue reading
There are few things I enjoy more than a great summertime song. They’re bright, they’re exciting, and they remind me of my favorite time of the year. There’s no telling what this summer in K-pop will bring, but over the next few weeks I’ll be flashing back each day, showcasing a highlight from past summers. … Continue reading
As usual, Golden Child gets the “bias group advantage” on this site. This means not only their title track and a buried treasure will be reviewed, but I’ll be taking a look at the entire new mini album Take A Leap. Check back over the next five days, as I tackle the songs one at … Continue reading
The Bias List // K-Pop Reviews & Discussion 