It’s hard to believe that it’s been a year and a half since we’ve last heard from KNK. They were one of the many groups screwed over by YG’s failed MIXNINE program, and the past year has seen them lose a member, part ways with their old agency and add a new face in the … Continue reading
Trilogies and series are all the rage in K-pop, but few have lasted as long as iKON’s New Kids. Barring their 2018 album Return, the group has been releasing tracks under this title for so long that they’re in danger of turning into old kids. But with the arrival of I’m OK, it seems as … Continue reading
Apink have never been out of the spotlight for long in Korea, but they enjoyed an unexpected bump last summer with the ear-catching I’m So Sick. Heading in an edgier dance direction turned out to be a boon for the girls, so it’s no surprise that new single %% (응응) once again enlists production team Black … Continue reading
Most of us first met M.O.N.T when they participated in YG’s survival series MIXNINE. They earned the nickname of “mountain idols” because their small agency was located in the mountainous countryside, creating quite a contrast from the otherwise Seoul-centered K-pop industry. That unique story, combined with their endearing personalities, made them a rookie to watch. … Continue reading
Japanese releases are often telegraphed weeks (and sometimes months) ahead of a time, but SM Entertainment artists seem to drop their J-pop music videos whenever they like. Sappy was only teased yesterday, and here it is today. That sense of spontaneity is kind of fun, and matches the adventurous structure of the song itself. Red … Continue reading
As the wait for a full f(x) comeback enters its fourth calendar year, each and every move by its members attracts interest from fans. However, most of the f(x)-related solo material has felt pretty un-f(x) in sound, which only seems to exacerbate listeners’ impatience. Luna offered a spark of similar energy with 2016’s Free Somebody, … Continue reading
N.Flying have had a rough go of it over the past month, with bassist Kwangjin leaving the group among accusations of inappropriate online conduct. This came just days before the group was scheduled to release the second track in their year-long Fly High project. Fly High seems to mirror the ambitious (and successful) 2017 promotions … Continue reading
With so many dramas in need of sappy, soaring soundtracks, Korea has got to be one of the biggest music markets for ballads. With so many being pumped out every year, it becomes difficult to stand out. A dynamite ballad can be such a cathartic experience — especially when delivered by a robust, dependable voice. … Continue reading
I feel pangs of guilt every time I sit down to write a review of Chungha’s music because I just can’t be very objective. I try hard not to be biased against artists or groups, even if their work has been universally awful. Chungha’s music has not been awful at all — it’s actually been … Continue reading
It’s a testament to Korea’s love affair with generic Western musical trends that Shaun’s Way Back Home became one of 2018’s biggest sleeper hits, despite the fact that it came from a virtually unknown artist and wasn’t even meant to be a title track. I could debate the actual quality of that song, but in … Continue reading
MBC brings us the last end-of-year festival of 2018, and K-pop’s final music show before the new year. Even when it’s not the best of the three gayos, I’ve always enjoyed MBC’s format. It has a more intimate feel to it, with the audience close to the performances and fellow idols looking on in the … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. December 2018 Overall Thoughts What is there to say about December, really? This month is basically … Continue reading
This is one of my favorite posts to write each year, because it sets the stage for what I’ll be looking for as we move into 2019. A new year is a great turning point for K-pop, and I always enter January feeling optimistic and excited about where the industry will be headed next. After … Continue reading
It’s that time already! Before unveiling my 2019 K-pop resolutions tomorrow, I wanted to look back at last year’s list and see how many of my hopes came true in 2018. Honestly, the results are… not great. Make sure to read through the original post, first. And check back tomorrow for 2019’s resolutions! 1. No. More. … Continue reading
In the battle of the end-of-year music shows, KBS’s Gayo Daechukje has always felt like the forgotten middle child. SBS boasts the bigger stage and MBC is bolstered by a longer list of performers and the added excitement of New Year’s. In contrast, KBS’s special often feels more like a typical weekly music show. Last … Continue reading
December is such a barren month for new K-pop releases, and what we do get tends to be an endless stream of ballads and mid-tempos. This languid pace makes it hard to drum up any excitement for a song like Candle Light (사랑한단 뜻이야). However, the track is significant for several reasons. Not only is … Continue reading
They say you’re hardest on the things you love the most, and I feel like I’ve been especially hard on TVXQ this year. At the outset of 2018, I would’ve predicted them having a huge presence on my end-of-year lists, but unfortunately they ended up being a no-show. This is mostly due to the direction … Continue reading
Just like last year, my K-pop Christmas present is the kick-off to the year-end music festivals. First up is SBS’s Gayo Daejun, which is typically notable for its star-studded, primarily big-name line-up that includes artists from YG Entertainment. Coming in, I wasn’t all that excited about the year’s Gayo because most of my favorite songs … Continue reading
I’ll be back tomorrow with new content! For now, enjoy my favorite new holiday release this year, as well as (of course) my favorite K-pop holiday song of all time: Continue reading
JYP Entertainment artists have been blitzing the Korean and Japanese markets this year. It’s hard to think of a more prolific agency, especially when you consider the ratio between JYP’s roster of artists and number of 2018 comebacks. Just like Twice, Stray Kids and DAY6, GOT7 must be exhausted. But, that didn’t stop them from … Continue reading
The Bias List // K-Pop Reviews & Discussion 