Back in 2010, Woollim Entertainment’s Infinite debuted with Come Back Again, but followed it up by promoting album track-turned-single She’s Back. This multi-pronged promo approach doesn’t happen all that often anymore in k-pop without a repackage, but I’m delighted that it has been extended to Infinite-successors Golden Child. The group has made a quick turnaround … Continue reading
Thus far, NCT’s 2018 Empathy project has followed a somewhat uniform sound, with even the usual bright styling of NCT Dream swept up in a trap-driven badass concept. Once it was announced that NCT 127 would be the next unit to release a single, all signs pointed to a continuation of this sound. But SM … Continue reading
Production team e.one has carved out quite a niche for themselves composing material for girl groups, and that includes the creation of most of April’s singles. Their signature style — a mix of the ornate and the electronic — has fared well for the girls, even if they’ve yet to nail down that one breakthrough … Continue reading
Oh, GOT7. I want to love your music. I really do. Your first two years were full of addictive hits that struck a perfect balance between pop and hip-hop. But ever since 2016’s Fly, I’ve struggled to connect with what is clearly becoming your signature style. Seriously, though, I feel like a broken record whenever … Continue reading
SM and Mystic Entertainment have collaborated frequently since 2016’s Dream, and the digital Station platform has proven to be the perfect avenue for them to do so. The agencies have teamed up once again for Dinner, performed by EXO’s leader Suho and quirky singer-songwriter Jane Jang. Hearing of this pairing, I went in fully expecting … Continue reading
Queen of the digital charts Heize has returned with an ambitious comeback, releasing two music videos (with a third on the way) for her newest mini album. Honestly, the prospect of reviewing the entire trio is more than daunting. I like Heize’s music just fine, but it hardly fits within my wheelhouse. They always say … Continue reading
I’ll admit that it’s completely unfair, but whenever we get a solo project from the rapper of an idol group, I instantly compare it to G-Dragon. In many ways, GD invented this particular role, and popularized it internationally by way of his immense charisma and genre-blurring execution. Perhaps BTOB’s Jung Ilhoon has noted this as … Continue reading
Thus far, Mamamoo have found success relying on roughly the same formula. Their title tracks fuse a kind of old-school, “let’s put on a show” energy with hooks that draw upon their formidable vocals. But as with any group, the time has come to try something new. Starry Night (별이 빛나는 밤) forgoes their big … Continue reading
Lately, it seems like we’re getting a lot of pre-releases and sort-of-but-not-really comebacks masquerading as “fan songs.” Pop duo MXM are the latest to follow this path, making a quick turnaround from their January comeback Diamond Girl before a promised full-length release later in the year. I happened to love the funk-laced makeover of their … Continue reading
Most of the time, a k-pop group’s title track is the best song on their album. But, sometimes b-side tracks deserve recognition, too. In the singles-oriented world of k-pop, I wanted to spotlight some of these buried treasures and give them the props they deserve. I’ve gone back and forth in my opinion about SF9’s … Continue reading
More and more, it seems as though a simple k-pop comeback is not enough. Instead, groups are beginning to herald entire eras with pre-releases and short films that tease an extended release schedule. Such is the case with Wanna One, whose I.P.U (unfortunate acronym and all) acts as the kick-off “theme” to their upcoming comeback. … Continue reading
There are two ways to approach NCT Dream’s Go, and each will color your perception of the song in vastly different ways. Up until now, Dream has acted as the pop-oriented unit of NCT, and the delivery method for the music most closely aligned with my personal taste. Their 2017 My First And Last remains … Continue reading
We’re just over two months in to this new year, and though February proved to be something of a non-starter, I’m feeling very optimistic about what 2018 is going to bring in terms of k-pop. I feel like I spent much of 2017 (and some of 2016) railing against Westernized trends that seemed to have … Continue reading
When Super Junior made their long-awaited comeback late last year, member Sungmin did not participate. You may assume this was due to some terrible crime or clash of personalities, but this self-imposed exile really came down to one factor — and it’s one of the stupidest “controversies” in recent k-pop memory. The guy got married … Continue reading
Rightly or wrongly, I’ve always regarded mixtapes as stream-of-conscious endeavors, dedicated to offering a glimpse at an artist’s persona rather than delivering what we might think of as a traditional hit. Even if an individual song is given a music video, it still doesn’t necessarily feel like a “real” single. But if anyone is going … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. February 2018 Overall Thoughts When it comes to k-pop, I was dreading February. Between the Pyeongchang … Continue reading
Cosmic Girls are at their best when they highlight the “cosmic” part of their name. Last summer’s Happy was a fun, peppy diversion, but tried to emulate too many other girl groups and came off as overly derivative. 2016’s Secret established the perfect signature sound for the group, and became one of that year’s biggest … Continue reading
Prior to their debut, N.Tic gained more notoriety from member Jion’s ultra anime style face than the prospect of any music they may be releasing. I suppose everybody needs a gimmick — and judging from the group’s low budget music video, any press will be good press for N.Tic. It’s surprising, then, that their debut … Continue reading
Since their debut in 2016, SF9 have flirted with a variety of genres and sounds. With October’s O Sole Mio they seemed poised for a breakout, exploring the kind of Latin influences that had been conquering the global music scene for months. Because of this, it’s surprising to hear that they’ve pulled a one eighty … Continue reading
Some matches are made in heaven, and Infinite‘s Kim Sungkyu + Nell’s Kim Jongwan is one of them. Not only did Jongwan compose all of Sungkyu’s 2015 mini album 27, but he’s often been lauded by the man himself as the performer that inspired him to become a musician. Now, the duo have returned after … Continue reading
The Bias List // K-Pop Reviews & Discussion 