Debuting in early 2019, ONEUS are inching toward that all-important seven year mark when contracts will be up for renewal. Their presence in the industry has felt more muted these past few comebacks, churning out solid but inessential material that hasn’t quite lived up to their most enduring work. Now, after a series of solo … Continue reading
Earlier this year, NouerA released my favorite debut of 2025 so far. Their N.I.N (New Is Now) was the rare track that fully referenced an old-school K-pop sound — modern global trends be damned! In an era where so many new K-pop songs simply sound like western pop tracks performed in Korean, it was refreshing … Continue reading
Thus far, TWS have stuck with a signature sound for their title tracks and utilized follow-up promotions to showcase a wider spectrum of styles. I like this approach, especially since we all know their particular brand of “boyhood pop” won’t remain the same forever. Their debut Japanese single further teases on the Plot Twist template, … Continue reading
At the end of each month, I compile my top three K-pop title tracks and list a ton of honorable mentions. In 2025, I thought I’d try something new and add a weekly feature to supplement my monthly round-up. Each Sunday, I’ll offer a compendium of the week’s new releases featured on the blog. And … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. CRAVITY deserve praise for releasing a … Continue reading
Jessi’s career has evolved in stages. There are times when her music is as hot as can be, but also many instances where her celebrity feels on the backburner. I have a huge soft spot for her place in Korean music, as she boasts a fiery charisma that’s different than most idols. It’s always lovely … Continue reading
There have been a number of think pieces about how Billboard’s Hot 100 chart has become whiter, more male and more Christian this year. It’s a troubling development for anyone who fears baby steps toward theocracy as I do, and the chokehold Alex Warren’s Ordinary has had on the charts is one of this movement’s … Continue reading
One of 2024’s biggest success stories was SM Entertainment’s reigning girl group aespa. Going into the year they were already very popular, but the trio of Supernova, Armageddon and Whiplash jolted them to a new level, becoming ubiquitous hits that still have a hold on the charts months later. Rather than return with a brand … Continue reading
While they initially (pre) debuted with a promising pop/rock sound, rookie group POW’s music has become more subdued and forgettable since. They seem to have tons of promise, but the music just isn’t doing it for me. This regrettable trend continues with Being Tender (다정해지는 법) — a plonky mid-tempo that feels almost designed to … Continue reading
Since returning from the military, Wonho’s music seems targeted toward an international market with English-language lyrics and an overall trendy sound. For about two years from 2020 to 2022 he stood as one of the industry’s most reliable artists, releasing a string of bangers. I wish he’d return to that pattern. There’s something deflating about … Continue reading
Sometimes summer highlights emerge from the most unexpected places. Over the past few days, we’ve had a flurry of strong seasonal offerings from some of K-pop’s girl groups, but with My Summer Manual (나의 여름 설명서), the variety show spawned co-ed group JAESSBEE confidently throw their hat in the ring. They’ve got some major firepower … Continue reading
When it comes to K-idol bands, it takes a lot to capture my attention. I’d consider myself a fan of rock music, but it’s not what I flock to the Korean music scene for because I can get my rock fix pretty much anywhere. With that said, Catch The Young have had my attention since … Continue reading
In my corner of the world, the first few days of this summer have been mired in showers and a cool breeze, but in K-pop we’re witnessing the beginning of a battle between girl group summer tracks. From where I stand now, Hearts2Hearts’ Style has only grown in stature while I’m worried I might have … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. It’s summertime OST season, with TWS … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. ZEROBASEONE have been racking up OSTs … Continue reading
XODIAC are one of those under-the-radar groups who make far more comebacks than their limited notoriety might suggest. I’m always amazed that an agency like JACSO Entertainment has the funds to promote so often, but then again they’re based in China and financial endeavors in that part of the world are a mystery to me. … Continue reading
It’s been a year of changes for fromis_9. Not only did their contract expire with Pledis Entertainment but the group went through a reconfiguration upon signing with new label Asnd, reduced from nine to five members. “fromis_5” doesn’t have the same ring to it, so the girls have retained their name as a nod to … Continue reading
Since going their separate ways for solo promotions, no SHINee member has been as musically prolific as Onew. This isn’t what I would have expected based on past history, but he’s been churning out material with great consistency. Next up is summer single Confidence, pre-released ahead of this third full album next month. As you … Continue reading
The guys of 2PM have remained quite active as soloists even if they don’t often release group material these days. Some of their best work has emerged from solo albums, though it’s been awhile since a song has really connected with me. Jang Wooyoung’s Sexy Lady and R.O.S.E still hold great nostalgic memories, and even … Continue reading
The Bias List // K-Pop Reviews & Discussion 