It’s not smart to mess with a winning formula, especially when that formula is responsible for a rise as meteoric as Twice’s. The girls’ mega-successful sound was built by producers Black Eyed Pilseung, but now we’re on the second single in a row without their aid. While February’s Knock Knock felt like a real departure … Continue reading
When it comes to solo female artists in k-pop, few have become as iconic as HyunA. Rather than go down a cute, innocent route, she’s harnessed her own sexuality and charisma to cause a stir every time she releases new music. No one would classify her as a power vocalist, but her blend of hip-hop … Continue reading
It’s been a rough couple of weeks for k-pop, with releases dwindling to a trickle in light of presidential elections and holidays and a general springtime slump. With such a scarcity of quality music, I’ve been especially thankful for Korean variety shows. And this year, no series has been more consistently fun than the second … Continue reading
Hitchhiker has long been one of my favorite SM Entertainment producers, collaborating with acts like Shinee and Super Junior to brilliant effect. His experimental solo work is a little harder to enjoy on a pure pop level, relying heavier on trippy, repetitive riffs and percussive loops than any sense of melody. Last year’s $10 felt … Continue reading
Listeners who are familiar with PSY‘s music through his colorful, viral music videos might not be aware of just how compelling he can be when he slows down and stops trying to grab youtubers’ attention. There are a treasure trove of b-sides that reveal a much more interesting side to his persona, and his pre-Gangnam … Continue reading
I’m a firm believer that music shouldn’t be in the meme business. A dynamite song should be able to stand on its own, apart from any visual gimmick or performance trick. As silly and viral as everything about Gangnam Style was, the track itself possessed an incredible series of hooks that anchored its more off-the-wall … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. ERIK LIDBOM … Continue reading
Released in September of 2013, Coup d’Etat built on the touchstones of G-Dragon‘s 2009 debut album and his 2012 One Of A Kind mini. At this point, his immense star power had been cemented, allowing for high-profile collaborations that brought a more international flavor to his work. Within this framework, Coup d’Etat is one of k-pop’s … Continue reading
It was just announced that DAY6’s Every DAY6 project will celebrate its halfway mark with a full album next month. Presumably, this will contain all ten tracks released so far plus the two June entries, and it’s just another example of how smartly JYP Entertainment has orchestrated this entire release schedule. I mean, it took … Continue reading
Since his solo debut in late 2014, Block B‘s Zico has enjoyed massive success. Every single he releases — whether promoted or not — seems to jump to the top of the charts. And in the space of just over two years, he’s compiled enough material for a proper countdown. Though his style isn’t always … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. NAM GI … Continue reading
Okay SM Station season two, are you going to turn out to be nothing more than a bunch of ballads? Apart from Ten’s performance video and the total red herring that was the Stanley Clarke Band, nearly every high profile Station release so far has been slow and — quite frankly — kind of bland. This … Continue reading
If there’s anything I’ve learned from covering pop music for over a decade, it’s that songwriters and collaborators are just as important as the artists themselves. Though they often work behind the scenes, this feature is a chance to shine the light on some of k-pop’s most innovative and accomplished producers and composers. MONOTREE Years … Continue reading
Boy group VAV have been around for six singles now, but they’ve yet to release a song that has had the impact necessary to shoot them to stardom. February’s 80’s-influenced Dance With Me was a step in the right direction, and they’ve definitely chosen the right collaborator in producer/composer Ryan S. Jhun, but it feels … Continue reading
The last time Junhyung released a promoted solo single it was 2013’s absolutely brilliant Flower. 2013 was a high watermark year for the artists-formally-known-as-Beast. It also felt like the era that Junhyung’s composing partnership with Kim Taejoo — under the moniker “Good Life” — was really coming into its own. Fast forward to 2017 and … Continue reading
Regardless of how you feel about Lovelyz‘ music, they’ve been able to carve out their own sound within the girl group landscape. More often than not their material pulls in the lighthearted, cutesy elements that so many other acts have ridden to fame, but its all within a distinctly synth-heavy framework that has a hazy, almost … Continue reading
When it comes to Triple H’s sub-unit debut, more will probably be made of the controversial music video than the song itself. I don’t tend to write extensively about videos, but 365 Fresh is definitely one of the more memorable ones in recent memory. I’m not sure romanticizing things like suicide and drug use is … Continue reading
At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2017 Overall Thoughts 2017 continues to fall behind when compared to last year. Though it was easy … Continue reading
When it comes to the founding fathers of modern k-pop, it’s hard to think of one more influential than Seo Taiji. He’s lauded for his solo work as well, but this countdown will focus on his material with Seo Taiji & Boys. The trio released only four studio albums together, but within that short time they amassed … Continue reading
Despite its downbeat title, Sad Song (슬픈 노래) is actually the more uptempo offering from Sechs Kies‘ 20th Anniversary comeback. Calling it a dance track might be a bit misleading, as it retains the moodiness of its counterpart Be Well, but its persistent electro beat gives the song a stylish drive that raises the energy to … Continue reading
