Yesterday, I struck a disappointed note when rounding up this year’s strongest singles, and this albums list is going to be quite similar. 2022 has delivered some decent albums so far, but nothing close to a My Name/City Of ONF, Don’t Call Me/Atlantis, YES, Summer Queen, Gatcha or The Chaos Chapter: Freeze. In fact, I’m … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2022 Overall Thoughts So… we’re almost halfway through 2022 and…. hmmm. Compared to the songs … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. I wish LE SSERAFIM’s debut mini … Continue reading
2022 has seen a mixed bag of debuts, with plenty of new acts emerging but few leaving an identifiable mark. No group has received as much pre-debut hype as HYBE/Source Music’s LE SSERAFIM. In a way only K-pop can manage, they were a huge success even before any music had been released! With name recognition … Continue reading
The Bias List // K-Pop Reviews & Discussion 