At the end of each month, I look back at my three favorite title tracks by k-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. October 2017 Overall Thoughts October matched February with 2017’s highest cumulative rating thus far, and I’m not … Continue reading
In an effort to ignite a level of popularity that has thus far eluded them, boy group MASC has doubled in number. After two releases as a quartet, they now boast eight members and a whole new sound. It’s hard not to feel like this is a bit of a last-ditch effort, but if the … Continue reading
Though new debuts by k-pop groups are always exciting, I’d argue that their follow-up release is even more important. When making a first impression, investments are high. But the real test is whether a group can keep up the quality, especially when it comes to rookies from small agencies. MASC impressed with debut track Strange last … Continue reading
One of the things I look most forward to each year in k-pop is the rise of new rookie groups. 2016 was particularly kind when it came to promising new artists, with a few offering some of the best songs of the year. Unlike the MAMA Awards, I won’t be considering the massively successful I.O.I as … Continue reading
At the end of each month, I’ll look back at my three favorite title tracks by k-pop artists. Unlike my end-of-year countdowns, jpop and Japanese releases by kpop artists are ineligible, though I will give the great ones a spotlight. For my top three tracks, I’ll take my own ratings into account, but there is a … Continue reading
With a group name as hilariously misguided as MASC’s (just look it up on urban dictionary), it was hard to expect much from their debut single. But, I’m happy to be proven wrong, as MASC joins 2016’s already impressive list of excellent rookie debuts. Unlike so many others from agencies of their size, MASC feels … Continue reading
The Bias List // K-Pop Reviews & Discussion 