Before I count down my top 50 J-pop songs of the year, I thought I’d blast you with a bunch of honorable mentions. J-pop can be notoriously difficult to find if you’re not already an active fan, and I figured readers who share my particular taste in music might appreciate having some extra recommendations. These … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2022 Overall Thoughts Counting up all of July’s releases, I’m not sure we’ve ever had … Continue reading
Back in June, Omega X shifted their sound toward brighter pop for the summer season. Play Dumb didn’t quite get there for me, but I appreciated the move away from the shouty style of their earlier work. It turns out we needed a trip to Japan to see this potential realized in a more satisfying … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2022 Overall Thoughts I’ll be publishing my top songs of the first half of 2022 … Continue reading
Sometimes I forget ex-Snuper member Sebin is part of Omega X. Revisiting 2016’s K-pop releases yesterday, I realized yet again how desperate I am for some Snuper-esque Sweetune pop in 2022. Quick! Get Sebin on the phone with his old collaborators and work out a deal. After all, Omega X’s agency has opted to switch … Continue reading
Despite counting many fantastic idols among its roster, Omega X’s title tracks haven’t yet connected with me. They’re firmly entrenched in the “noise music” trend favored by many modern boy groups, where “going hard” takes precedence over most other elements. I understand the appeal, but I tend to prefer songs that merge their intensity with … Continue reading
Each year, it feels like my B-Sides and Album Tracks list grows stronger and stronger. Too often, K-pop agencies miss the boat on releasing these incredible songs as title tracks. 2021 was no different, revealing a host of gems that would have topped my Singles list had they been promoted. Instead, I’ve got two days … Continue reading
Over the years, I’ve become increasingly disillusioned with the K-pop sub-genre some affectionately call “noise music.” As dance clubs become less common and listeners primarily consume new music from their computer screens, dance-oriented tracks seem designed to get your head nodding as you watch YouTube rather than get your body moving on the dancefloor. Though … Continue reading
A K-pop group’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. Tucked away on the end of … Continue reading
Think of Omega X as the idol group version of 2017’s The Unit: Idol Rebooting Project. The group attempts to take members of disbanded (or disbanding?) acts and bring them together for a re-debut. Its line-up includes performers from Spectrum, Limitless, Seven O’Clock, 1Team, ENOi, 1THE9, Gidongdae and even my beloved Snuper. If anything, this … Continue reading
The Bias List // K-Pop Reviews & Discussion 