This year, I’m going to flip things around and honor my top ten K-pop artists before turning to the rookies tomorrow. While 2022 offered many strong debuts, I just wasn’t as thrilled by many of the industry’s established artists. That makes today’s countdown a bit easier to compile. As usual, the criteria is built around … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. November 2022 Overall Thoughts The calendar may show one month left in 2022, but the year … Continue reading
It’s the end of November, which means it’s time for the fifth entry in OnlyOneOf’s ambitious Underground Idol series. This series has been a highlight of 2022, delivering a diverse tapestry of genre and mood while adhering to its interconnected storyline. Cynical viewers might see the group’s past two years as one long audition to … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. October 2022 Overall Thoughts First off, I want to recognize Korea’s national period of mourning and … Continue reading
OnlyOneOf’s Underground Idol project was on track to maintain its once-a-month course until the group took a few weeks to promote their Japanese single. Because of this, Rie’s long-awaited solo became even more long-awaited, pushed back an extra month. Now, it’s finally time to land back in the guys’ BL universe. The rock-tinged Because continues … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
Halfway through their solo Underground Idol series, OnlyOneOf have reunited as a full group for their first original Japanese single. I imagine Zurui Onna as an interlude. Or, maybe it’s just another excuse for the guys to dance around with their shirts off. Whatever the case, it’s an inauspicious move into a market that should … Continue reading
OnlyOneOf’s Underground Idol series is basically one big BL drama, pairing the guys off with one another. Begin and Be Free united Yoojung and KB, and now it’s time for Junji and Rie to spark a romance. Junji’s Be Mine slows the funk undertones of past songs to deliver something more akin to an evocative … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. July 2022 Overall Thoughts Counting up all of July’s releases, I’m not sure we’ve ever had … Continue reading
I felt a little conflicted when OnlyOneOf’s series of solo singles ‘Underground Idol‘ was first announced. I mean, I’d rather have some full-group comebacks. But so far, the project is shaping up nicely. We have a narrative through-line, engaging music and the kind of sonic world-building the group has always excelled at. Just one month … Continue reading
We’ll take a brief hiatus from the usual Sunday Open Discussion post today because my annual “Risers and Fallers” feature always spurs conversation. Every July, I like to take a look at which songs have either grown or sunk on my own playlist. With years of reviewing under my belt and a pretty solid understanding … Continue reading
So… here’s the thing. This mid-year singles list is usually reserved for songs that are all-but certain to end up in my top ten at the end of the year. If judging by the quality of past years, the songs below would most likely fall in the teens or twenties, meaning we’re either going to … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. June 2022 Overall Thoughts I’ll be publishing my top songs of the first half of 2022 … Continue reading
Every time I think OnlyOneOf are going to zig, they zag. I’m not sure how I feel about their unusual promotions, but at this point I’m just happy they’re still making music. Rather than opt for a traditional comeback this summer, each of the members will be releasing solo tracks – one each month until … Continue reading
One of the quirks of The Bias List is my hesitancy to give 10/10 scores right off the bat. I just don’t know that you can measure perfection on release day, nor do I think a perfect score is attainable without some time and experience. This approach doesn’t exactly jibe with “OMG SOTY” internet culture, … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. January 2022 Overall Thoughts It’s a new K-pop year! I always feel optimistic in January because … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. None of the b-sides on OnlyOneOf’s … Continue reading
The Bias List // K-Pop Reviews & Discussion 