First off, the phrase “blank effect” pretty much describes my reaction to the majority of K-pop this year! Secondly, I really like Park Jihoon as an idol but often struggle to embrace the music he makes. When he hits it out of the park, the result is super impressive — like this or this. But … Continue reading
Upon the announcement of its official closure, I joked about owing K-pop’s Universe app a proper obituary. But the more I thought about it, the more I realized that I really do need to document the demise of this longstanding frenemy. During its brief existence, Universe promised creepy AI-generated idol interactions (or so I’m told). … Continue reading
Rather than contain my “Risers and Fallers” feature to a single post in June, I’m going to share a bite-sized version at the end of each month. This will let me account for more songs and make a nice lead-in to the monthly round-up post. I anticipate most of these ratings adjustments will be negligible: … Continue reading
I have a soft spot for Park Jihoon’s title tracks. He’s had a few missteps, but by and large his promoted work has been pretty solid. The accompanying albums are usually a bit dull for my taste, but his more upbeat titles reveal a performer with tons of star power. New single Nitro veers into … Continue reading
The end of the year countdowns are finally here! As always, we’ll kick off with the big one: The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
Park Jihoon’s Gallery was one of my favorite K-pop tracks this summer, and seemed to carve a new, nimble avenue for his sound. I’ve often enjoyed his singles, but his discography as a whole suffers from a lack of consistency. That’s especially apparent with new comeback Serious, which alternates between messy and dull. Forgive the … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. August 2021 Overall Thoughts When it comes to new music, I often mention the “expectations game.” … Continue reading
Park Jihoon is immensely charming (especially as an actor), but I’ve found his solo work pretty hit and miss. For every Wing there’s a Gotcha, making it difficult to identify the overarching sound his agency is aiming for. I hope they’ve settled on the funk synth style of new single Gallery, because this song is … Continue reading
This whole “Universe app” business makes it tricky to decide whether or not to review a song! Park Jihoon and Lee Hi’s Call U Up is the latest track to be released through the platform, which means its music video is inaccessible for embedding here. In fact, I haven’t even seen it yet. We’ll have … Continue reading
One of the unexpected upsides of 2020 was the time and opportunity to get back into dramas. In the past, there had been a handful of series I absolutely loved, but I’d always had a hard time getting into new ones. This year, though, I became somewhat of a drama fanatic, catching up on many … Continue reading
Well… 2020 was certainly different, wasn’t it? It was a year where the industry couldn’t function as usual, but that didn’t stop K-pop from churning out more music than ever. It was a year of unprecedented international success and rising album sales — just as most other music markets struggled to move physical product. It … Continue reading
I’ve been watching Park Jihoon in the web-drama Love Revolution and have been really impressed with his knack for comedy. With that drama’s dorky/endearing character fresh in my mind, it’s quite jarring to watch the music video for new single Gotcha. But, I guess this is just a testament to his versatility as a performer. … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. May 2020 Overall Thoughts Well… I’m officially worried. We’re almost halfway through the year, and at … Continue reading
Today is truly the day of male solo releases, with no less than three big-name tracks dropping. And of those three, Park Jihoon easily takes the win. I’m not sure I would’ve expected this. I’ve enjoyed his two title tracks, while finding their respective albums quite boring. But, for Wing he’s injected his music with … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. December 2019 Overall Thoughts December always feels like a throwaway month for K-pop, and this was … Continue reading
The end of the year countdowns are finally here! As always, things kick off with the big one… The Bias List’s top 50 songs of the year! Each day this week, I’ll be counting down ten of the year’s best, until number one is revealed on Friday. To be eligible for this top 50 list, … Continue reading
Maybe it’s because he had limited promotions on music shows, but I often underestimate just how successful Park Jihoon’s solo debut was. His L.O.V.E was certainly a sleeper hit with me, and did a good job catering to his talents. Like most Produce 101 alumni, I still think he’d function better as part of a … Continue reading
Days after railing against the Produce series’ negative effect on the K-pop industry, it’s time to look at the juggernaut from another angle. Since Wanna One’s disbandment at the start of the year, all of its members have gone on to release music of some sort. I’ve not been shy when it comes to my … Continue reading
Reviews are only a snapshot in time, which means that many of the songs I write about will rise or fall as the months go on. I tend to be pretty moderate in my reviews, so none of these following selections have moved drastically from my original thoughts, but the first half of 2019 definitely … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. March 2019 Overall Thoughts After a slow start to 2019, March finally seemed to kick things … Continue reading
The Bias List // K-Pop Reviews & Discussion 