I’m writing more about the new PSY album than I expected to, but he often releases multiple title tracks to promote his comebacks. Celeb is an interesting story. The song and video have been in the can since 2019, originally meant for release that year alongside his album. Who knew we’d be waiting almost three … Continue reading
A K-pop act’s title track isn’t always the best song on their album, even if it’s the one most people will hear. Sometimes, b-sides deserve recognition too. In the singles-oriented world of K-pop, I want to spotlight some of these buried treasures and give them the props they deserve. PSY’s ninth album proves his continued … Continue reading
At the end of each month, I look back at my three favorite title tracks by K-pop artists. I take my own ratings into account, but there’s a bit of wiggle room as certain songs tend to grow or fade. April 2022 Overall Thoughts In a paradoxical trend, the average song rating on this blog has … Continue reading
PSY’s ninth album has been teased for so long it began to feel more like an urban legend than an actual release. He’s one of the pillars of K-pop – even more so now that his successful P Nation has signed many of the industry’s buzziest acts. But those who know PSY only for the … Continue reading
K-pop’s title tracks might gain most of listeners’ attention, but many album tracks are worth equal spotlight. I call these “buried treasures.” Beyond this, K-pop’s albums deliver thousands of additional tracks that settle for a more limited audience. It’s these songs that will become a part of my “battle of the b-sides” feature. In this … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! October … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! April … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! July … Continue reading
Longtime readers of The Bias List will know how stingy I am when it comes to rating songs nine and above. But, there’s plenty of music that qualifies. In fact, I’ve got a playlist of over 600 of them sitting in my iTunes. The vast majority of these are singles or title tracks, but there … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
Since the start of The Bias List in January 2016, I’ve always looked back at my three favorite title tracks by K-pop artists each month. Now, it’s time to look even further into the past, one month at a time. And, yes, the top three rankings count toward The Bias List’s personal artist scorecard! Which … Continue reading
This is one of those features I’ve been wanting to tackle for years now. In many ways, the singles of 2012 set the standard I measure all future and past K-pop against. Song for song, it was the pinnacle of so much that I love about Korean music. It was a year of gargantuan choruses, … Continue reading
Better late than never, I suppose. Though Love doesn’t get a music video that actually features PSY and Taeyang in it, I’m happy that the song is still garnering some promotion. When PSY’s album was released back in May, it was heralded by a pair of title tracks that stuck to his tried and true … Continue reading
Listeners who are familiar with PSY‘s music through his colorful, viral music videos might not be aware of just how compelling he can be when he slows down and stops trying to grab youtubers’ attention. There are a treasure trove of b-sides that reveal a much more interesting side to his persona, and his pre-Gangnam … Continue reading
I’m a firm believer that music shouldn’t be in the meme business. A dynamite song should be able to stand on its own, apart from any visual gimmick or performance trick. As silly and viral as everything about Gangnam Style was, the track itself possessed an incredible series of hooks that anchored its more off-the-wall … Continue reading
Continuing the trend of veteran acts making comebacks, Rain has released his first new material since 2014’s Rain Effect. Though he hasn’t been all that active these past couple of years, Rain’s legacy of music is ensconced in every fiber of today’s modern k-pop. As with other artists of his stature, he runs the risk … Continue reading
Wrapping up the end of year countdowns, it’s time to delve deeper into the albums 2016 gave us. Among hundreds and hundreds of tracks released this year (and last December!), here are forty of the absolute best. + Make sure to check out the rest of the year-end countdowns here! 40. OH MY GIRL – KNOCK KNOCK … Continue reading
He may be the most well-known k-pop artist to those unfamiliar with the genre, but PSY is much more than Gangnam Style. It’s an iconic moment, and responsible for introducing millions to k-pop (including myself, to a certain extent), but surrounding this massive achievement is over a decade of hits, many of which pull from disparate genres … Continue reading
The Bias List // K-Pop Reviews & Discussion 