Longtime readers of The Bias List will know how stingy I am when it comes to rating songs nine and above. But, there’s plenty of music that qualifies. In fact, I’ve got a playlist of over 600 of them sitting in my iTunes. The vast majority of these are singles or title tracks, but there are many b-sides as well.
As a compliment to my Buried Treasures series, I thought it was time to spotlight some of these undervalued gems. Enter, Best of the B-Sides, where I’ll be sharing four non-title tracks that have connected with me in a big way. Korean, Japanese, Chinese… doesn’t matter. Hopefully you’ll find something you like!
KAT-TUN – Triangle
Year released: 2014
This era of KAT-TUN’s discography is stuffed with treasures, but Triangle stands out as something truly special. The chorus here is just mammoth, pulsing and swerving in directions I never expected the first time through. But, it’s that searing electric guitar that bumps this up to legendary status. That extended bridge into the final chorus is just pure bombast in the best possible way.
Kara – Follow Me (Ddarawa)
Year released: 2011
Kara’s 2011 Step album isn’t quite as flawless as its title track would suggest, but Follow Me maintains the high-octane dance sound listeners expected. Opening with a pulsating synth riff, the track quickly finds its footing with an addictive chant/sung hook that draws upon the strength of the girls’ layered vocals. The verses are a bit more restrained, but Follow Me never loses its crackling energy.
PSY – Stay Up Tonight
Year released: 2010
At its best, PSY’s music finds a way to inject unlikely pop elements into its hip-hop base. His discography’s far more varied in sound than a hit like Gangnam Style would lead you to believe, and that was particularly evident in the years leading up to his big global breakout. Stay Up Tonight thrives on a catchy-as-hell chanted refrain that runs through its verses and chorus. It would be easy for this approach to grow repetitive, but the song’s funk-disco instrumental and unrelenting verve easily keep things moving.
T.M.Revolution – Fragile
Year released: 2000
I don’t ever get to talk about him on this site, but late 90’s/early 00’s T.M.Revolution is pretty much musical catnip when it comes to my own taste. A lot of that is down to producer Daisuke Asakura, whose work I slavishly follow. Fragile has one of the most satisfying instrumentals of this era, delivering a perfect build. Its electro-meets-rock foundation is absolutely transcendent, anchored by a dynamite chorus and reliably emotive performance by Nishikawa himself.