Of all the scheduled kpop releases this March, GOT7’s Fly was by far the one I was most looking forward to. The group had an incredible 2015, releasing two of the year’s best singles and finally cementing a versatile, melodic hip-hop sound for themselves. I expected Fly to be the capper on that success, sending … Continue reading
2016 is going to be known as the year of cross-company duets. It feels like SM artists have been collaborating with everybody, and now even smaller agencies are at it. Cherish is a duet between Yuju of girl group GFriend and Sunyoul of boy group Up10tion. Both are known as main vocalists in their respective teams, … Continue reading
After debuting with a synth-driven, cutesy track, Cosmic Girls released a second music video for follow-up Catch Me. This one is clearly designed to be a showcase for dance skills and attitude, as the song is far more hip-hop influenced. It’s an interesting counterpoint to MoMoMo, proving the girls’ versatility but bringing up questions as to … Continue reading
Seo In Guk is one of Korea’s best loved modern balladeers. Even so, it’s been awhile since he’s released any music. I’m a little ashamed to admit that I don’t follow him all that much as a musician, but I did adore him in (Korea’s best drama) Reply 1997. I came into Seasons Of The Heart knowing that it would be … Continue reading
Only One isn’t the first time EXID’s leader Solji and variety-show-magnet Hani have collaborated as a subunit. Back in 2013, they released a pretty strong dance single called Good Bye under the name Dasoni. I’m not sure why they didn’t revive that moniker for Only One, but at least the sound is somewhat similar. Quite tellingly, the … Continue reading
Starship Entertainment hasn’t debuted a new girl group since Sistar, and that was all the way back in 2010. In those six years, Sistar has gone on to become one of the leading female groups in kpop, so when it was announced that Starship would be teaming with Yuehua Entertainment to form Cosmic Girls, I … Continue reading
BTOB enjoyed one heck of a 2015, finding a new level of success and finally becoming the group they were meant to be. They also began to push into Japan with original material that catered almost exclusively to the genre preferences of that market. In other words, their two singles were super j-poppy. Dear Bride strikes a nice balance … Continue reading
I raved about LuHan’s Medals at the end of last year, but with each successive release, it seems more and more apparent that the stately melodicism of that track was a red herring in his solo discography. For Excited, LuHan has once again paired himself with American production team Rock Forward. They do an adequate job … Continue reading
Nu’est have finally returned after nearly two years since their last Korean album. Many fans have been waiting for their comeback, and I’m definitely one of them. I’ve followed the group for some time and liked pretty much everything they’ve released so far. But I’m disappointed to say that I don’t think Overcome will ever fully … Continue reading
Legendary boy group SS501 is back in the form of its sub-unit, SS301, which consists of members Heo Young Saeng, Kyu Jong, and Hyung Jun. Among groups of their age, I feel like SS501 often doesn’t get the credit they deserve from newer fans for writing much of the kpop template that younger groups still adhere … Continue reading
Jo Kwon, of JYP’s 2AM, is known by many as a “variety idol.” This is due to his bright, outgoing personality and uncanny ability to make a total fool of himself. Embracing elements of camp and gender reversal like very few of his peers, he’s a unique and important figure in kpop. But, you’re not going … Continue reading
KAT-TUN released my favorite song of 2015 with their epic Dead Or Alive. Since then, they delivered the not-so-great Kiss Kiss Kiss and have been on hiatus for nearly a year. Because of this extended wait, my anticipation for Tragedy was high. However, it hurts my fanboy heart to say that I am thoroughly underwhelmed … Continue reading
As a former member of girl group Kara, it’s ironic that Nicole has been giving us more Kara-esque releases over the past few years than Kara itself. This is due, in part, to her continuing work with Sweetune, whose bright, poppy style is ideally suited for the Japanese market. As I’ve mentioned before, Sweetune are my absolute … Continue reading
I’ve been a massive fan of pretty much everything GOT7 has released in Korea. Given this, I’m continually baffled with how utterly terrible their Japanese singles have been in comparison. Other than one or two tracks, their jpop persona might as well be that of a completely different band. Yo Moriagatte Yo is the lead track from … Continue reading
I was one of the (very) few who didn’t care for Taeyeon’s solo debut, I. I understand why it was such a big hit, and why so many loved it. My qualms came down to personal taste more than anything. Still, the fact that I was less enamored than most led me to approach Rain without … Continue reading
Yoo Seungwoo rose to fame as part of Korea’s Superstar K audition program. Like many singer-songwriter types, the show afforded him the kind of break usually reserved for more traditional idol groups. Last year, he signed with Starship Entertainment, which is better known for its hip-hop and r&b-oriented artists, as well as being home to … Continue reading
Amoeba Culture is really a label on the rise. Fueled by the incredible success of Zion.T, they’ve cultivated a stable of artists that are at the forefront of Korean r&b. While not having the same unique character to his vocals as Zion.T, Crush has already proven himself a hitmaker despite being a relatively fresh debut. … Continue reading
MyName is one of those kpop groups that just haven’t received the recognition they deserve. They’re consistently solid, but haven’t produced that breakout hit that could bump them up a tier or two. One of the problems is that they’ve been incredibly active in Japan, where they enjoy a certain amount of success, and that’s … Continue reading
So far, 2016 seems to be the year of the collaborations. This feels like a somewhat odd one, between CNBlue’s frontman Jung Yong-Hwa and Sunwoo Jung Ah, who is primarily known as an in-house songwriter (and occasional singer) with YG Entertainment. I’m not exactly sure what brought these two together, though Yong-Hwa seems to be … Continue reading
For as insular a world as kpop is, I’m surprised that these cross-company collaborations don’t happen more frequently. I mean, it doesn’t take a genius to realize that EXO’s Baekhyun + miss A’s Suzy = $$$. Because of this, the two of them could have sung the phone book and been a major success, which … Continue reading
The Bias List // K-Pop Reviews & Discussion 