BZ-Boys debuted over two years ago as part of Chrome Entertainment (former home of Crayon Pop). Chrome has struggled to get any of its groups off the ground since Bar Bar Bar’s surprising success in 2013, and BZ-Boys haven’t made many waves yet. In fact, I had to search back to see if I’d ever … Continue reading
K-pop supergroups aren’t common, but the idea is very fun. GH Entertainment seems to agree, as they’ve taken their two idol groups (B.I.G and 3YE) and merged them into 777 – a co-ed project group. Today, they’ve made their debut with digital single Presente, which takes obvious influence from another notable co-ed act. What is … Continue reading
A full summertime Sistar reunion is on my shortlist of “things I’d most like to see in K-pop.” So when it was announced that members Hyolyn and Dasom would pair for a summer track (produced by Duble Sidekick!), I tried to keep my expectations in check. We certainly couldn’t expect something as fantastic as Loving … Continue reading
Ten is one of those fantastic SM finds with unlimited potential for solo stardom. He’s a bundle of charisma with a uniquely global appeal. Previous singles have capitalized on this, recorded in English with international trends in mind. This can be an asset and a limitation, and new single Paint Me Naked is held back … Continue reading
Hyoyeon’s solo reinvention as “HYO” (DJ HYO, if you’re nasty) has been an uneven ride so far. She’s delivered a few stellar tracks (Punk Right Now, Badster), while others have relied more of guest collaborators. Second pairs her with buzzy soloist BIBI and opts for a percussive sound targeted at summer. While many of the … Continue reading
The Boyz have enjoyed explosive growth in popularity over the past few years, buoyed by appearances in shows like Kingdom and Road to Kingdom. Unfortunately, this seems to have slowed the progression of their once-prolific release schedule. The guys’ last comeback happened nearly a year ago, when The Stealer impressed with its dynamic arrangement. New … Continue reading
It’s ‘Golden Child comeback’ time again, which means a track-by-track review of their new album, Game Changer! Check back each day of the week as I make my way through the ten new songs. 1. Game Changer (Intro) // 2. Ra Pam Pam // 3. Bottom Of The Ocean // 4. Fanfare // 5. Singing … Continue reading
It’s ‘Golden Child comeback’ time again, which means a track-by-track review of their new album, Game Changer! Check back each day of the week as I make my way through the ten new songs. 1. Game Changer (Intro) // 2. Ra Pam Pam // 3. Bottom Of The Ocean // 4. Fanfare // 5. Singing … Continue reading
When a member leaves a K-pop group abruptly, it’s hard to know where they’ll go next. Sometimes the agency shares details about their departure, but more often it’s shrouded in mystery. In Kim Woojin’s case, leaving Stray Kids has opened the door to a solo career. He pre-released the solid Still Dream last month, showcasing … Continue reading
Thus far, Weeekly have rejected the popular girl crush trend for something sweeter and more approachable. In this way, their vibe reminds me of earlier K-pop generations. They burst on the scene last summer with the addictive Tag Me — a track they’ve yet to surpass (though March’s After School comes close). Unfortunately, new single … Continue reading
It’s ‘Golden Child comeback’ time again, which means a track-by-track review of their new album, Game Changer! Check back each day of the week as I make my way through the ten new songs. 1. Game Changer (Intro) // 2. Ra Pam Pam // 3. Bottom Of The Ocean // 4. Fanfare // 5. Singing … Continue reading
I can’t overstate how much I adore JO1’s Born To Be Wild. I loved it from the start, but it’s grown into the kind of pop behemoth that spawns entire essays on this blog. From build to chorus to breakdown, the track is perfection and still gives me goosebumps every time it pops up on … Continue reading
In a month lacking K-pop releases, the Universe app is offering some of July’s few big-name “comebacks.” That’s a pretty sad state of affairs, especially since the full music videos aren’t even made available outside the app. Regardless, it’s always nice to hear from Monsta X – even more so on the heels of their … Continue reading
Fans have long clamored for a solo album from EXO’s D.O. His smooth vocal style adds soul and groove to the group’s tracks, and he seemed poised for an excellent R&B career of his own. However, SM Entertainment doesn’t seem to know what to do with his skills. D.O. has stated his desire to challenge … Continue reading
Many K-pop idols end up branching out to Japan, but Rocket Punch feel uniquely suited for that market. Most of their title tracks have a very J-pop sound already, and Juri is a former member of Japanese group AKB48. It’s no surprise that Woollim is pushing them abroad this early, while senior groups Lovelyz and … Continue reading
Following the group’s disbandment, B.A.P’s Moon Jongup made his solo debut last year with Headache. I didn’t think much of the song on its release day, but it ended up being one of my biggest growers of the year. Loose, funky tracks like this don’t always get the attention they deserve. However, it’s a sound … Continue reading
I haven’t written about Girlkind since 2018’s S.O.R.R.Y, though the group has released a couple digital singles since then. They’ve even spawned their own 2019 sub-unit. But, you’d still be forgiven for not knowing who Girlkind are. Their promotions have been limited so far, and the music has been largely forgettable. With Good Vibes Only … Continue reading
Despite being best known for her ballads, some of Taeyeon’s most enduring work has spawned from daring musical turns. Songs like Something New and I Got Love harnessed rhythmic energy that helped them standout. New single Weekend brings Taeyeon to the disco, blending dance pop elements with laidback city pop inspirations. The result is appealing, … Continue reading
DAY6 sub-unit Even Of Day debuted late last summer, releasing a much more interesting mini album than its title track suggested. With Where The Sea Sleeps, I wondering why Young K, Wonpil and Dowoon didn’t distinguish their own music from DAY6’s core sound. That confusion continues with new single Right Through Me (뚫고 지나가요). I … Continue reading
KARD’s BM and I often live on different musical planets, but I appreciate the energy and swagger he brings to the industry. With the group’s future uncertain, the time is right for a solo project. And judging from the title of his single album (The First Statement), BM is playing the long game. Nonetheless, title … Continue reading
